{"id":2328,"date":"2021-05-20T22:24:31","date_gmt":"2021-05-20T21:24:31","guid":{"rendered":"http:\/\/nordaand.dk\/?p=2328"},"modified":"2021-06-21T05:33:11","modified_gmt":"2021-06-21T04:33:11","slug":"7-skiver-7-of-disks","status":"publish","type":"post","link":"http:\/\/nordaand.dk\/?p=2328","title":{"rendered":"Fiasko \/\/ Failure – 7 Skiver"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Velkommen til sjette afsnit af serien \u00c5rsrejse i Tarottens talkort<\/strong>. De foreg\u00e5ende tekster kan findes under hovedsiden Tarot<\/a><\/em>. <\/p>\n\n\n\n

. . . . . . .<\/p>\n\n\n\n

G\u00f8r hvad du vil skal v\u00e6re hele Loven<\/em><\/p>\n\n\n\n

. . . . . . .<\/p>\n\n\n\n

11. maj – 20. maj<\/em><\/p>\n\n\n\n

Dette er afslutningen af det faste jordtegns herred\u00f8mme – Tyrens endepunkt, hvor ligev\u00e6gten mistes, s\u00e5 alting tynges blytungt nedad. Kortets navn er Failure \/\/ Fiasko<\/em>. Dets formel lyder: Jord + Saturn i Tyren + 7. sf\u00e6re.<\/p>\n\n\n\n\n\n\n\n

Betragt nu Tr\u00e6et:<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Venus’ sf\u00e6re, syvende Sephira – Netzach. <\/em>Ordet overs\u00e6ttes s\u00e6dvanligvis med Sejr<\/em>. Derved st\u00e5r vi fra f\u00f8rste \u00e5ndedrag over for et insisterende paradoks: Sf\u00e6rens navn er ‘sejr’, men alle 7-erne er, afd\u00e6mpet udtrykt, s\u00e6rdeles ubehagelige<\/em>. <\/p>\n\n\n\n

Dermed kender vi lidt til omridset af vores g\u00e5de – og g\u00e5r i gang.<\/p>\n\n\n\n

At miste sin himmelske herkomst<\/strong><\/p>\n\n\n\n

Om 7-erne skriver Crowley i The Book of Thoth: <\/em><\/p>\n\n\n\n

These cards are attributed to Netzach. The position is doubly unbalanced; off the middle pillar, and very low down on the Tree. It is taking a very great risk to descend so far into illusion, and, above all, to do it by frantic struggle. Netzach pertains to Venus; Netzach pertains to Earth; and the greatest catastrophe that can befall Venus is to lose her Heavenly origin. The four Sevens are not capable of bringing any comfort; each one represents the degeneration of the element. Its utmost weakness is exposed in every case <\/em>(s. 182).<\/em><\/p>\n\n\n\n

Stillingen er ubalanceret <\/em>i dobbelt henseende – adskilt fra midters\u00f8jlen og lavt placeret Tr\u00e6et. At nedstige <\/em>til dette dybt illusoriske omr\u00e5de er – fort\u00e6ller en mand, der har set det meste – en meget stor risiko<\/em>. S\u00e6rligt risikabelt bliver det, hvis nedstigningen sker under hektisk<\/em> anstrengelse<\/em>. <\/p>\n\n\n\n

Det handler om Fruen: Netzach pertains to Venus; Netzach pertains to Earth; and the greatest catastrophe that can befall Venus is to lose her Heavenly origin.<\/em> <\/p>\n\n\n\n

Her har vi en antydning at holde os til: Den st\u00f8rste katastrofe, der kan ramme Venus, er, at miste sin himmelske herkomst – at blive beg\u00e6rligt j\u00e6vnet med Jorden. <\/p>\n\n\n\n

Alts\u00e5: Netzach er ikke<\/em> Himmeldronningens sande hjem, men derimod stedet for hendes fornedrelse. Materiens s\u00f8lle sejr.<\/p>\n\n\n\n

Derfor er 7-erne s\u00e5 ubehagelige: I dem fremvises hver enkelt elements fremskredne degeneration<\/em>. <\/p>\n\n\n\n

Its utmost weakness is exposed in every case<\/em>.<\/p>\n\n\n\n

Dette kort er behersket af<\/strong> Saturn<\/strong><\/p>\n\n\n\n

I forl\u00e6ngelse af denne almene angivelse af 7-ernes grundpr\u00e6g beskrives 7 Skiver<\/em> med disse ord:<\/p>\n\n\n\n

The Seven of Disks is called Failure. This suit gives the extreme of passivity; there is no positive virtue in it below the Abyss. This card is ruled by Saturn. Compare it with the three other Sevens; there is no effort here; not even dream; the stake has been thrown down, and it is lost. That is all. Labour itself is abandoned; everything is sunk in sloth (s. 183).<\/em> <\/p>\n\n\n\n

Tyngde, tyngde, tyngde. Fiasko. <\/em>Nedtrampet, ufrugtbar jord. <\/p>\n\n\n\n

Ekstrem passivitet. <\/p>\n\n\n\n

Dette kort er behersket af Saturn<\/em>; den m\u00f8rke, gamle Gud, tidens forslugne Herre – historiens b\u00f8rnespiser, <\/em>som uoph\u00f8rligt \u00e6der sine egne.<\/p>\n\n\n\n

\"\"
Peter Paul Rubens: ‘Saturno devorando a su hijo’, 1636<\/figcaption><\/figure><\/div>\n\n\n\n

Ham vil vi tidsnok komme frem & tilbage til. Forel\u00f8big holder vi os blot t\u00e5lmodigt til teksten.<\/p>\n\n\n\n

Som det n\u00e6ste sammenstilles Jord-suitens 7-er med de tre andre, og siden vi i denne serie endnu ikke har besk\u00e6ftiget os med disse tre, vil vi – ogs\u00e5 i denne sag – blot godtage mesterens ord. Alts\u00e5: Hvor der i de andre Netzach-kort trods alt er en slags handlekraft tilstede, drejer det sig i Jord-suitens 7-er om en stilstand, der ikke blot er handlingslammet, men decideret dr\u00f8mmel\u00f8s<\/em>. Aldeles uden udsyn. <\/p>\n\n\n\n

Og det er alt. <\/em>Uvirksomheden sejrer. <\/p>\n\n\n\n

Labour itself is abandoned; everything is sunk in sloth<\/em>. <\/p>\n\n\n\n

Den geomantiske figur Rubeus<\/strong><\/p>\n\n\n\n

I den uddybende beskrivelse af de enkelte kort inden for hver element-suite l\u00e6ngere inde i The Book of Thoth<\/em> l\u00e6ser vi denne – brutalt sammentr\u00e6ngte – fremstilling af de 7 Skivers grundbetydning:<\/p>\n\n\n\n

The number Seven, Netzach, has its customary enfeebling effect, and this is made worse by the influence of Saturn in Taurus. The disks are arranged in the shape of the geomantic figure Rubeus, the most ugly and menacing of the Sixteen. (See Five of Cups.) The atmosphere of the card is that of Blight. On the background, which represents vegetation and cultivation, everything is spoiled. The four colours of Netzach appear, but they are blotched with angry indigo and reddish orange. The disks themselves are the leaden disks of Saturn. They suggest bad money.<\/em><\/p>\n\n\n\n

F\u00f8rst en understregning af d\u00e9t, vi allerede v\u00e9d, nemlig at placeringen i Netzach altid medf\u00f8rer en sv\u00e6kkelse af elementets energi, og at Saturns indflydelse i Tyrens tegn mildt sagt ikke g\u00f8r sagen lettere at b\u00e6re. Dern\u00e6st omtales selve kortets udseende, hvor der som det f\u00f8rste fokuseres p\u00e5 det m\u00f8nster, som skiverne er arrangerede i – den geomantiske figur Rubeus.<\/em><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Geomantik <\/em>– p\u00e5 engelsk geomancy <\/em>– er et klassisk varselssystem best\u00e5ende af seksten figurer, der udg\u00f8res af fire linjer med enten \u00e9n eller to prikker i hver. <\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

I The Book of Thoth<\/em> dukker disse prik-figurer af og til op og tjener s\u00e5ledes som l\u00e6sen\u00f8gler for forst\u00e5elsen af specifikke kort. Basalt set fungerer geomantisk divination s\u00e5dan, at man – under den rette fokuserede tilstand – med en pind p\u00e5 jorden eller en pen p\u00e5 et stykke papir laver 16 r\u00e6kker med et tilf\u00e6ldigt antal streger i hver. Herefter samment\u00e6lles antallet af streger i hver linje – fire linjer ad gangen. For hver linje med et ulige antal streger laves \u00e9n prik et andet sted p\u00e5 jorden eller papiret, og for hver linje med et lige antal laves to prikker. Derudfra opst\u00e5r fire figurer med enten \u00e9n eller to prikker p\u00e5 hver linje. Disse fire figurer er varslets udgangspunkt og kaldes m\u00f8drene<\/em>. <\/p>\n\n\n\n

Et eksempel:<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Alts\u00e5: Lige antal streger i linje p\u00e5 jorden giver \u00e9n prik, ulige giver to. Fire linjers prikker l\u00e6gges sammen – figurerne opst\u00e5r. Einfach so<\/em>. <\/p>\n\n\n\n

Ud fra disse fire m\u00f8dre dannes der – gennem udregninger, som vi ikke vil dv\u00e6le ved her – otte d\u00f8tre<\/em>, fire nev\u00f8er<\/em>, to vidner<\/em> og en dommer<\/em>. <\/p>\n\n\n\n

Ud fra et fastlagt m\u00f8nster tilskrives de f\u00f8rste tolv af disse figurer – alts\u00e5 d\u00f8trene og nev\u00f8erne – hver sit af astrologiens tolv huse og tydes sidenhen i tilknytning til disse.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Det afg\u00f8rende er, at hver enkelt af disse figurer har en bestemt betydning, som blandt andet udg\u00f8res af sammenk\u00e6dningen af en planet og et tegn – og at systemets varsler s\u00e5ledes opst\u00e5r ud af samspillet mellem de opst\u00e5ede figurer. Nederst i denne tekst henvises der til frit tilg\u00e6ngelig litteratur om geomantik, s\u00e5 den interesserede selv kan g\u00e5 videre.<\/p>\n\n\n\n

Dermed vender vi tilbage til vores sammenh\u00e6ng: Her <\/em>drejer det sig om Rubeus<\/span><\/em>, som ud fra den geomantisk-astrologiske logik er et udtryk for Mars i Skorpionen<\/em>, alts\u00e5 den voldelige Herres tilstedev\u00e6relse i det faste vandtegn, og blandt de seksten figurer st\u00e5r som det ondest mulige varsel – the most ugly and menacing of the sixteen<\/em>. <\/p>\n\n\n\n

Som opklaring af denne ben\u00e6vnelse henvises vi til beskrivelsen af 5 B\u00e6gre <\/em>– “(See Five of Cups)”. Under det p\u00e5g\u00e6ldende afsnit i The Book of Thoth<\/em> l\u00e6ser vi disse ord:<\/p>\n\n\n\n

This is of such evil omen that certain schools of Geomancy destroy the Map, and postpone the question for two hours or more, when Rubeus appears in the Ascendant. Its meaning is to be studied in the “Handbook of Geomancy” (Equinox Vol. I, No.2).<\/em>
(s. 198)<\/p>\n\n\n\n

Med ordene “when Rubeus appears on the Ascendant” menes der situationer, hvor denne uheldssvangre figur under en geomantisk divination dukker op i det f\u00f8rste astrologiske hus, som er knyttet til det punkt, der kaldes Ascendanten og markerer det opstigende punkt i den \u00f8stlige horisont, hvorved det angiver sj\u00e6lens retning<\/em>. Dukker Rubeus <\/em>op her, er udsigten sp\u00e6rret, og forehavendet afbrydes. <\/p>\n\n\n\n

Det korte af det lange er, at dette varsel i sandhed er urov\u00e6kkende. <\/em><\/p>\n\n\n\n

I den n\u00e6vnte Handbook on Geomancy<\/em> fra tidsskriftet The Equinox of the Gods<\/em> sammenfattes betydningen af Rubeus simpelthen som: <\/p>\n\n\n\n

Evil in all that is good, and good in all that is evil<\/em>. <\/span><\/span><\/p>\n\n\n\n

Skiverne er af bly<\/strong><\/p>\n\n\n\n

Dermed n\u00e6rmer vi os vores endepunkt og genkalder os derfor nu b\u00e5de billedet og tekststykkets afslutning – velvidende at gentagelse vitterligt fremmer forst\u00e5else:<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

The atmosphere of the card is that of Blight. On the background, which represents vegetation and cultivation, everything is spoiled. The four colours of Netzach appear, but they are blotched with angry indigo and reddish orange. The disks themselves are the leaden disks of Saturn. They suggest bad money.<\/em><\/p>\n\n\n\n

En plantes ford\u00e6rv – ja, det er, hvad vi ser: sygeligt blegnet, m\u00f8rknet, livl\u00f8s bladv\u00e6kst uden mulighed for opdyrkning. Alting er \u00f8delagt. <\/p>\n\n\n\n

Netzachs fire farver<\/em>; med de ord henvises der til de s\u00e5kaldte farveskalaer i det kabbalistiske system, hvor hver sf\u00e6re, hver planet og hvert tegn har deres udvalgte farver, som Frieda Harris og Aleister Crowley – i V\u00e6rkets \u00e6refrygtindgydende perfektionisme – naturligvis har indarbejdet i fremstillingen af de enkelte kort. Den interesserede anbefales at l\u00e6se kapitlet Worlds of Color <\/em>i Lon Milo DuQuettes indf\u00f8ring Understanding Aleister Crowley’s Thoth Tarot<\/em>, ligesom man i denne bog ogs\u00e5 finder udpegninger af de relevante farver for sf\u00e6re, planethersker og tegn i beskrivelsen af hvert enkelt talkort.<\/p>\n\n\n\n

Hovedsagen er, at farverne er tilstede, men fremtr\u00e6der i sk\u00e6mmet skikkelse – plettede, form\u00f8rkede, fornedrede af Saturns n\u00e6rv\u00e6r. Skiverne er af bly<\/em> og kaldes hans – the disks themselves are the leaden disks of Saturn<\/em>. Afbildet p\u00e5 dem ses henholdsvis rasende tyre og figurer, der – elegant nok – b\u00e5de forestiller krigeriske, hjelmkl\u00e6dte ansigter og Saturns astrologiske tegn, som ogs\u00e5 ses i toppen af kortet.<\/p>\n\n\n\n

D\u00e5rlige penge<\/strong><\/p>\n\n\n\n

They suggest bad money<\/em> – med de ord henvises der (vel nok) til den \u00f8konomiske lovm\u00e6ssighed, der kaldes Greshams Lov, if\u00f8lge hvilken d\u00e5rlige penge<\/em>, alts\u00e5 en mindrev\u00e6rdig valuta, har tendens til at drive gode penge<\/em>, alts\u00e5 en valuta med h\u00f8jere indre v\u00e6rdi, ud af cirkulation, hvis disse to florerer inden for det samme omr\u00e5de. <\/p>\n\n\n\n

Internettet er vores ven – i Encyclopedia Britannica<\/a> <\/em>l\u00e6ser vi: <\/p>\n\n\n\n

Gresham\u2019s law, observation in economics that \u201cbad money drives out good.\u201d More exactly, if coins containing metal of different value have the same value as legal tender, the coins composed of the cheaper metal will be used for payment, while those made of more expensive metal will be hoarded or exported and thus tend to disappear from circulation. Sir Thomas Gresham, financial agent of Queen Elizabeth I, was not the first to recognize this monetary principle, but his elucidation of it in 1558 prompted the economist H.D. Macleod to suggest the term Gresham\u2019s law in the 19th century. <\/em><\/p>\n\n\n\n

Money functions in ways other than as a domestic medium of exchange; it also may be used for foreign exchange, as a commodity, or as a store of value. If a particular kind of money is worth more in one of these other functions, it will be used in foreign exchange or will be hoarded rather than used for domestic transactions. For example, during the period from 1792 to 1834 the United States maintained an exchange ratio between silver and gold of 15:1, while ratios in Europe ranged from 15.5:1 to 16.06:1. This made it profitable for owners of gold to sell their gold in the European market and take their silver to the United States mint. The effect was that gold was withdrawn from domestic American circulation; the \u201cinferior\u201d money had driven it out.<\/em><\/p>\n\n\n\n

Fra guld til s\u00f8lv til bly; fornedrelse af himmelsk herlighed til ivrig, alt for ivrig, l\u00e6ngsel efter jordisk sejr<\/em> – fornemmer du prikkerne forbinde sig? Et helligt b\u00e6ger, der skulle have v\u00e6ret h\u00e6vet opad<\/em>, men her vender uhj\u00e6lpeligt nedad, tynget af tiden, s\u00e5 v\u00e6sken g\u00e5r til spild:<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

I tiltro til processen<\/strong><\/p>\n\n\n\n

Det handler – f\u00f8rst som sidst – om Saturn<\/em>. I det astrologiske tydningsarbejde forst\u00e5s hans placering i et horoskop p\u00e5 samme tid som udpegningen af den mest insisterende mangel<\/em> i det p\u00e5g\u00e6ldende menneskes vilje & v\u00e6sen og<\/span> – hvilket netop kun tilsyneladende er en mods\u00e6tning – som det omr\u00e5de, hvor den st\u00f8rste v\u00e6kst er b\u00e5de n\u00f8dvendig & mulig, for at livet kan lykkes.<\/p>\n\n\n\n

I alkymiens sprog: Blyet m\u00e5 bearbejdes. <\/em>Under dets smeltning frigives giftige gasser. Processen m\u00e5 udholdes. Forvandlingen er mulig. Hovedsagen er at arbejde aktivt. <\/em>Kviks\u00f8lvet m\u00e5 tilf\u00f8res med sikker h\u00e5nd – i tiltro til processen. At vende om er ikke tilr\u00e5deligt, n\u00e5r f\u00f8rst ilden er ant\u00e6ndt. Failure is not an option.<\/em><\/p>\n\n\n\n

Udtrykt med Crowleys ord – fra slutningen af The Book of Thoth:<\/em><\/p>\n\n\n\n

It is the problem of the seeker after truth to penetrate the obscurity of Saturn<\/em>…<\/p>\n\n\n\n

Den store Moder<\/strong><\/p>\n\n\n\n

Se nu p\u00e5 billedet en sidste gang og overvej med \u00e5bent sind, hvad det mon er, der drager, dv\u00e6ler, lever & vokser her i det dunkle? Tag gerne kortet i din h\u00e5nd – betragt frimodigt <\/em>figurens former<\/em>:<\/p>\n\n\n\n

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<\/p>\n\n\n\n

At tegne det op ville v\u00e6re et makv\u00e6rk og en helligbr\u00f8de. Hun<\/em> er jo lige her; skivernes placering og bladenes linjer antyder en frodig kvindekrop, <\/em>som snildt kan ses af dem, der har de rette \u00f8jne. \u00d8verst ses barmen, udsp\u00e6ndt som koens yver, fuld af livets hvide v\u00e6ske; derunder maven, som dr\u00e6gtigt svulmer, tung af det, der snart ske. Derefter kn\u00e6ene, let b\u00f8jede. Mellem dem anes sk\u00f8det. Hun ligger ned; det n\u00e6rmer sig. Nederst er f\u00f8dderne. <\/p>\n\n\n\n

Betragt til sammenligning, for eksempel, den s\u00e5kaldte Venus<\/em> <\/span>fra Willendorf<\/em> – lykkeligt befriet fra sit hoved:<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Mysteriet er intakt: Bag B\u00f8rne\u00e6derens m\u00f8rke maske hviler & vibrerer selve den store Moder. <\/p>\n\n\n\n

Ukr\u00e6nkelig; evigt oph\u00f8jet. Tyngden er uomg\u00e6ngelig. Fornedrelsen er svanger med sin egen oprejsning. Tr\u00e6ngslerne tjener selve sagen. D\u00f8den er Hendes n\u00e6ring. H\u00f8sten er ikke hensigtsl\u00f8s, n\u00e5r leen tjener livet. Veerne indvarsler fryden. I tidens fylde f\u00f8der kvinden, evigt & altid. Barnet er altings sejr, derude og derinde. Den gr\u00f8nne linje omkranser Universet. Det store V\u00e6rk er frugtbarhed. <\/p>\n\n\n\n

V\u00e6r v\u00e5gen, n\u00e5r Han<\/span> kommer<\/span><\/p>\n\n\n\n

. . . . . . .<\/p>\n\n\n\n

K\u00e6rlighed er Loven, k\u00e6rlighed under vilje<\/em><\/p>\n\n\n\n

. . . . . . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

. . . . . . . . . . . . . . . . . . . . . .<\/p>\n\n\n\n

N\u00e6ste afsnit ang\u00e5r handler om 8 Sv\u00e6rd <\/em>og kan l\u00e6ses her<\/a><\/em>.<\/p>\n\n\n\n

. . . . . . . . . . . . . . . . . . . . . .<\/p>\n\n\n\n

Ang\u00e5ende Geomantik<\/strong> og sl\u00f8seri<\/strong><\/p>\n\n\n\n

– Aleister Crowley: A Handbook on Geomancy \/ Liber Gaias<\/em> – kan findes her<\/a><\/em>

– Franz Hartmann Hartmann: The Principles of Astrological Geomancy <\/em>– kan findes her<\/a><\/em> (men mangler desv\u00e6rre to sider; skriv til mig, s\u00e5 sender jeg en affotografering af dem).<\/p>\n\n\n\n

Derudover: I Crowleys beskrivelse af Two of Wands \/ Dominion<\/em> n\u00e6vnes det som det sidste, at dette korts forhold mellem planethersker og tegn svarer til den geomantiske figur Puer<\/em>. Da jeg skrev kapitlet om de 2 Stave<\/em>, alts\u00e5 seriens f\u00f8rste tekst, anede jeg endnu intet om Geomantik – og var ikke klar over, hvor omfattende et fuldst\u00e6ndighedskrav, der skulle komme til at g\u00e6lde for arbejdet med disse tekster. <\/p>\n\n\n\n

Ud fra den viden, jeg nu har, vil der inden s\u00e5 forf\u00e6rdelig l\u00e6nge blive tilf\u00f8jet et opklarende appendiks om denne sag til teksten om 2 Stave<\/em>. <\/p>\n\n\n\n

Noget lignende g\u00e6lder for teksten om 3 Stave<\/em>, hvor det var en henkastet, afsluttende bem\u00e6rkning om den kinesiske orakelbog I Ching<\/em>, som jeg i fejlagtigt fandt un\u00f8dvendig i skildringen af kortet. Det var den selvf\u00f8lgelig ikke. Hvert eneste ord i The Book of Thoth <\/em>er afg\u00f8rende. Ogs\u00e5 her vil der blive tilf\u00f8jet et lille appendiks. <\/p>\n\n\n\n

Fremover holder jeg mig trofast til det dogme, som foruden i disse to tilf\u00e6lde har v\u00e6ret et gennemg\u00e5ende princip i arbejdet med disse tekster, nemlig at behandle alt<\/em>, hvad der st\u00e5r i afsnittene om de enkelte kort. Hvis det var vigtigt for Crowley, er det vigtigt for os. <\/p>\n\n\n\n

<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

Velkommen til sjette afsnit af serien \u00c5rsrejse i Tarottens talkort. De foreg\u00e5ende tekster kan findes under hovedsiden Tarot.  . . . . . . . G\u00f8r hvad du vil skal v\u00e6re hele Loven . . . . . . . 11. maj – 20. maj Dette er afslutningen af det faste jordtegns herred\u00f8mme – Tyrens endepunkt, hvor … <\/p>\n

L\u00e6s videre “Fiasko \/\/ Failure – 7 Skiver”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4,5],"tags":[203,224,222,223,217,82,209],"class_list":["post-2328","post","type-post","status-publish","format-standard","hentry","category-arkiv","category-tekster","tag-den-store-moder","tag-geomantik","tag-netzach","tag-saturn","tag-skiver","tag-tarot","tag-venus"],"yoast_head":"\nFiasko \/\/ Failure - 7 Skiver - Stenblomster - til alle og ingen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/nordaand.dk\/?p=2328\" \/>\n<meta property=\"og:locale\" content=\"da_DK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fiasko \/\/ Failure - 7 Skiver - Stenblomster - til alle og ingen\" \/>\n<meta property=\"og:description\" content=\"Velkommen til sjette afsnit af serien \u00c5rsrejse i Tarottens talkort. 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