{"id":2570,"date":"2021-06-10T10:33:28","date_gmt":"2021-06-10T09:33:28","guid":{"rendered":"http:\/\/nordaand.dk\/?p=2570"},"modified":"2021-06-21T05:32:39","modified_gmt":"2021-06-21T04:32:39","slug":"grusomhed-cruelty-9-svaerd","status":"publish","type":"post","link":"http:\/\/nordaand.dk\/?p=2570","title":{"rendered":"Grusomhed \/\/ Cruelty – 9 Sv\u00e6rd"},"content":{"rendered":"\n

<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Velkommen til ottende afsnit af serien \u00c5rsrejse i Tarottens talkort<\/strong>. De foreg\u00e5ende tekster kan findes under hovedsiden Tarot<\/a><\/em>. <\/p>\n\n\n\n

G\u00f8r hvad du vil skal v\u00e6re hele Loven<\/em><\/p>\n\n\n\n

Alting synker, sindet skriger – dette er tankelivets smertelige selvfort\u00e6ring; det bev\u00e6gelige lufttegns anden dekan. Kortets navn er Grusomhed \/\/ Cruelty. <\/em>Dets formel lyder: Luft + Mars i Tvillingerne + 9. sf\u00e6re.<\/p>\n\n\n\n

Kravl selv ned og kik: <\/p>\n\n\n\n\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Dette er Lunas hjem i Tr\u00e6et; 9. sf\u00e6re <\/em>– himmellysets gensk\u00e6r i det foranderlige fundament. <\/p>\n\n\n\n

Om alle 9-erne l\u00e6ser vi:<\/p>\n\n\n\n

These cards are attributed to Yesod. After the double excursion into misfortune, the current returns to the middle pillar. This Sephira is the seat of the great crystallization of Energy. But it takes place very far down the Tree, at the apex of the third descending triangle, and a flat triangle at that. There is little help from low, unbalanced spheres like Netzach and Hod. What saves Yesod is the direct ray from Tiphareth; this Sephira is in the direct line of succession. Each of these cards gives the full impact of the elemental force, but in its most material sense; that is, of the idea of the force, for Yesod is still in Yetzirah, the formative world. Zoroaster says:<\/em><\/p>\n\n\n\n

“The number Nine is sacred, and attains the summit of perfection.” Egypt and Rome, also, had Nine Major Deities <\/em>(s. 185).<\/p>\n\n\n\n

Tilbage ved midters\u00f8jlen, efter f\u00f8lelseslivets fornedrelse i Netzach<\/em> og tankelivets oph\u00f8jelse i Hod<\/em>; her har vi s\u00e6det for energiens m\u00e6gtige krystallisering<\/em> – hernede sammenblandes og f\u00e6stnes alle elementer. Hvor vi i 7-erne og 8-erne var langt ude<\/em>, er vi nu for alvor langt nede, <\/em>nemlig i spidsen af Tr\u00e6ets tredje, nedadvendte, fladtrykte trekant. Hj\u00e6lpen kommer alene fra oven – en nedadg\u00e5ende str\u00e5le af Solens & S\u00f8nnens eget lys fra Tr\u00e6ets centrum i Tiphareth krydser, kunstf\u00e6rdigt, forbindelseslinjen mellem Netzach og Hod, s\u00e5 lyset skinner opklarende og levendeg\u00f8rende p\u00e5 den ellers kolde og m\u00f8rke M\u00e5ne. <\/p>\n\n\n\n

Som skrevet: Hver enkelt af disse kort markerer og frigiver det p\u00e5g\u00e6ldende elements grundkraft i sin fulde, mest materielle, virkning – p\u00e5 id\u00e9ens<\/em> plan. Dette sidste, alts\u00e5 at der her (stadig) drejer sig om “the idea of the force” og ikke dens egentlige udfoldelse i vores verden skal forst\u00e5s ud fra den f\u00f8rn\u00e6vnte kabbalistiske opdeling <\/a>af fire adskilte & forbundne verdener, Atziluth, Briah, Yetzirah, Assiah, som hver is\u00e6r korresponderer med et af de fire elementer, sj\u00e6lens fire dele og et af bogstaverne i Guddommens navn, samt udg\u00f8r et afgr\u00e6nset omr\u00e5de af Livstr\u00e6et. <\/p>\n\n\n\n

S\u00e5dan her: <\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Alts\u00e5: Atziluth er ildens verden og modsvarer derfor Tetragrammets f\u00f8rste bogstav Yod<\/em> (Faderen). Kun den \u00f8verste Sephira, alts\u00e5 selve kronen, Kether<\/em>, befinder sig i Atziluth. Briah er vandets verden og modsvarer Tetragrammets andet bogstav H\u00e9<\/em> (Moderen). Her befinder 2. og 3. Sephira sig. Yetzirah er luftens verden og modsvarer <\/em>tredje bogstav Vau<\/em> (S\u00f8nnen). I denne verden finder vi hele seks af Tr\u00e6ets ti Sephiroth. Endelig finder vi, s\u00e5 lavt, som man kan komme, Jordens element i Assiah, der kun t\u00e6ller den ene – og uomg\u00e6ngeligt altafg\u00f8rende – Sephira Malkuth<\/em>, og som svarer til det sidste H\u00e9<\/em> i Tetragrammet, alts\u00e5 Datteren<\/em>, om hvem det fort\u00e6lles & forkyndes, at det store V\u00e6rks endem\u00e5l er at oprejse hende til Moderens trone. <\/p>\n\n\n\n

Begrebsm\u00e6ssigt kan de fire verdener beskrives som: <\/p>\n\n\n\n

Atziluth – den arketypiske verden
Briah – den kreative verden
Yetzirah – den formative verden
Assiah – den materielle verden<\/p>\n\n\n\n

Den interesserede anbefales, for eksempel, at ops\u00f8ge Rabbi Lamed Ben Cliffords indf\u00f8ring The Chicken Qabalah<\/em>.<\/p>\n\n\n\n

Det v\u00e6sentligste er, her & nu, at Yesod<\/em> udg\u00f8r bundpunktet af den formative verden – stedet, hvor det mentale munder ud i det materielle – en f\u00f8dekanal for vores Verden.<\/p>\n\n\n\n

I citatets afslutning henvises der, vanligt henkastet, til den persiske profet og religionsstifter Zoroasters\/Zarathustras forst\u00e5else af 9-tallets hellighed: <\/p>\n\n\n\n

The number nine is sacred and attains the summit of perfection<\/span><\/em><\/p>\n\n\n\n

D\u00e9r har vi endnu en fremmaning af et af den slags paradokser, som vi efterh\u00e5nden er ved at v\u00e6nne os til at gnave i – at 9-tallet h\u00f8rer til i bunden og samtidig siges at str\u00e6kke sig mod fuldst\u00e6ndighedens tinde. <\/p>\n\n\n\n

Yderligere forklaring giver han os ikke – blot en konstatering af, at ogs\u00e5 i Rom og Egypten \u00e6rede man dette fundamentale tal:<\/p>\n\n\n\n

Egypt and Rome, also, har Nine Major Deities<\/em><\/p>\n\n\n\n

Alts\u00e5: 9-tallet er s\u00e6rligt<\/em> – en biospirituel grundfigur, der b\u00e5de anes i myternes v\u00e6v og erfares i v\u00e6kstens h\u00f8jst konkrete vilk\u00e5r: Som barnet hviler & vokser ni m\u00e5neder i moders liv f\u00f8r ankomsten til Verden, h\u00e6nger magikeren ni n\u00e6tter i h\u00f8jt og helligt tr\u00e6 for at skue og begribe hemmelighedens tegn. <\/p>\n\n\n\n

Ogs\u00e5 rent matematisk er 9-tallet kendetegnet ved nogle bem\u00e6rkelsesv\u00e6rdige egenskaber. <\/p>\n\n\n\n

To illustrationer:<\/p>\n\n\n\n

1 ) N\u00e5r et encifret tal adderes med 9, vil udkommet altid v\u00e6re et tal, hvoraf tv\u00e6rsummen – alts\u00e5 en simpel sammenl\u00e6gning af de to tal – vil v\u00e6re det samme, som det, der begyndtes ved, s\u00e5ledes at ethvert af de grundtal, der m\u00f8der 9-tallet, s\u00e5 at sige, sendes tilbage til sig selv. <\/p>\n\n\n\n

S\u00e5dan her: <\/p>\n\n\n\n

1 + 9 = 10 – – – 1 + 0 = 1
2 + 9 = 11 – – – 1 + 1 = 2
3 + 9 = 12 – – – 1 + 2 = 3
4 + 9 = 13 – – – 1 + 3 = 4
5 + 9 = 14 – – – 1 + 4 = 5
6 + 9 = 15 – – – 1 + 5 = 6
7 + 9 = 16 – – – 1 + 6 = 7
8 + 9 = 17 – – – 1 + 7 = 8
9 + 9 = 18 – – – 1 + 8 = 9
<\/p>\n\n\n\n

2) N\u00e5r 9 multipliceres med et tal, vil udkommet altid v\u00e6re et tal, hvis tv\u00e6rsum – enten gennem \u00e9n eller flere reduktioner – vil ende med at v\u00e6re 9.

F\u00f8rst den simple opstilling:

9 x 2 = 18 – – – 1 + 8 = 9
9 x 3 = 27 – – – 2 + 7 = 9
9 x 4 = 36 – – – 3 + 6 = 9
9 x 5 = 45 – – – 4 + 5 = 9
9 x 6 = 54 – – – 5 + 4 = 9
9 x 7 = 63 – – – 6 + 3 = 9
9 x 8 = 72 – – – 7 + 2 = 9
9 x 9 = 81 – – – 8 + 1 = 9
9 x 10 = 90 – – – 9 + 0 = 9<\/p>\n\n\n\n

Dern\u00e6st nogle, mere eller mindre, tilf\u00e6ldige eksempler:

9 x 15 = 135 – – – 1 + 3 + 5 = 9
9 x 49 = 441 – – – 4 + 4 + 1 = 9
9 x 65 = 585 – – – 5 + 8 + 5 = 18 – – – 1 + 8 = 9
9 x 93 = 837 – – – 8 + 3 + 7 = 18 – – – 1 + 8 = 9
9 x 156 = 1404 – – – 1 + 4 +0 + 4 = 9
369 x 9 = 3321 – – – 3 + 3 + 2 +1 = 9
9 x 418 = 3762 – – – 3 + 7 + 6 + 2 = 18 – – – 1 + 8 = 9
9 x 777 = 6993 – – – 6 + 9 + 9 + 3 = 27 – – – 2 + 7 = 9
9 x 727272 = 6545448 – – – 6 + 5 + 4 + 5 + 4 + 4 + 8 = 36 – – – 3 + 6 = 9<\/p>\n\n\n\n

Pr\u00f8v selv. Det forts\u00e6tter – i evighedernes evighed.<\/p>\n\n\n\n

Change is stability<\/span><\/em><\/p>\n\n\n\n

Rimelig kosmisk, nicht wahr?

Lad os blot, uden yderligere dramatik, bem\u00e6rke, at andre tal ikke <\/em>opf\u00f8rer sig p\u00e5 denne m\u00e5de. Det afg\u00f8rende er, at kloderne drejer, s\u00e5 alting uv\u00e6gerligt bliver sort, og siden, stille og roligt, opklares og bef\u00e6stes i den, der vil & kan hengive sig til helhedens egne vibrationer.<\/em> <\/p>\n\n\n\n

. . . . . . . . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . . . . . . . .<\/p>\n\n\n\n

Navnet er ikke grundl\u00f8st<\/strong><\/p>\n\n\n\n

I forl\u00e6ngelse af den almene beskrivelse af 9-erne f\u00f8lger, som altid en specifik omtale af de enkelte suiters kort. Om de 9 Sv\u00e6rd l\u00e6ser vi: <\/p>\n\n\n\n

The Nine of Swords is called Cruelty. Here the original disruption inherent in Swords is raised to its highest power. The card is ruled by Mars in Gemini; it is agony of mind. The Ruach consumes itself in this card; thought has gone through every possible stage, and the conclusion is despair. This card has been very adequately drawn by Thomson in “The City of Dreadful Night”. It is always a cathedral – a cathedral of the damned. There is the acrimonious taint of analysis; activity is inherent in the mind, yet there is always the instinctive consciousness that nothing can lead anywhere <\/em>(s. 186).<\/em><\/p>\n\n\n\n

Grusomhed<\/em> – navnet er ikke grundl\u00f8st. Vi gentager blot ordene: <\/p>\n\n\n\n

Here the original disruption inherent in Swords is raised to its highest power.<\/span><\/em> <\/p>\n\n\n\n

Enkelt udtrykt: Som redskaber er sv\u00e6rdene destruktive, ikke konstruktive; \u00f8del\u00e6ggende, ikke skabende. Deres rette form\u00e5l er, som Tarottens grundbillede p\u00e5 det analytiske sind, at s\u00f8nderdele, bemestre og bed\u00f8mme tankens indhold og id\u00e9er, s\u00e5 ingen af dem f\u00f8rer den str\u00e6bsomme bort fra Vejens midte – men de kan ikke selv anvise den vej, der skal vandres. Dertil kr\u00e6ves opv\u00e6kkelsen og udlevelsen af b\u00e5de h\u00f8jere & dybere anl\u00e6g. <\/p>\n\n\n\n

I anden del af Crowleys lille hovedv\u00e6rk Book 4<\/em> <\/span>finder vi en opklarende udl\u00e6gning af alle magikerens redskaber – og l\u00e6ser i denne forbindelse disse ord om Sv\u00e6rdets grundpr\u00e6g: <\/p>\n\n\n\n

As the Wand is Chokmah, the Will, “the Father”, and the Cup the Understanding, “the Mother,” Binah; so the Magick Sword is the reason, “the Son,” the six Sephiroth of the Ruach, and we shall see that the Pantacle corresponds to Malkuth, “the Daughter.<\/em>“<\/p>\n\n\n\n

The Magick Sword is the analytical faculty; directed against any demon it attacks his complexity. <\/em><\/p>\n\n\n\n

Only the simple can withstand the sword. As we are below the Abyss, this weapon is then entirely destructive: it divides Satan against Satan. It is only in the lower forms of Magick, the purely human forms, that the Sword has become so important a weapon<\/em>. A dagger should be sufficient. <\/em><\/p>\n\n\n\n

But the mind of man is normally so important to him that the sword is actually the largest of his weapons; happy is he who can make the dagger suffice. <\/em><\/p>\n\n\n\n

Ok? <\/span><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . .<\/p>\n\n\n\n

Mars i Tvillingerne<\/strong><\/p>\n\n\n\n

Vi forts\u00e6tter: Astrologisk set drejer det sig her om Mars i Tvillingerne<\/em> – krigens h\u00e6mningsl\u00f8se Herre, hv\u00e6lvingens voldsmand, der g\u00f8r sit indtog i tankens luftigt bev\u00e6gelige egne; ikke just en behagelig sammenf\u00f8jning. Som det st\u00e5r skrevet: <\/p>\n\n\n\n

. . . it is<\/em> agony of mind.<\/em> The Ruach consumes itself in this card; thought has gone through every possible stage, and the conclusion is despair.<\/em><\/p>\n\n\n\n

Sindet, der n\u00e5desl\u00f8st fort\u00e6rer sig selv; tankelivet, der efter at have gennemtrasket alle sine spor, nu steger yndel\u00f8st i sin egen fortvivlelse. <\/p>\n\n\n\n

Kender vi det? <\/p>\n\n\n\n

Utvivlsomt. <\/p>\n\n\n\n

Tilstanden er – med en anden mesters ord – menneskelig, alt for menneskelig<\/em>. <\/p>\n\n\n\n

Som det n\u00e6ste n\u00e6vnes det, at kortets tilstand er blevet skildret p\u00e5 en tr\u00e6ffende m\u00e5de af en vis Thomson <\/em>i hans v\u00e6rk The City of Dreadful Night<\/em>. <\/p>\n\n\n\n

Som altid er internettet er vores hjerteven og oplyser os velvilligt om eksistensen af den britiske poet James Thomson (1834-1882), der i 1874 udgav sit dystre mesterdigt om skr\u00e6knattens \u00f8rkenvandring, hvori sindets v\u00e5ben viser sig aldeles utilstr\u00e6kkelige. <\/p>\n\n\n\n

Vi holder os trofast til teksten:<\/p>\n\n\n\n

It is always a cathedral – a cathedral of the damned<\/em>. There is the acrimonious taint of analysis; activity is inherent in the mind, yet there is always the instinctive consciousness that nothing can lead anywhere<\/em>. <\/p>\n\n\n\n

En katedral for de fortabte; et helligt (op)samlingssted for de d\u00f8mte, de hidsigt analytiske sind, som farer hvilel\u00f8st omkring i deres hunger efter s\u00f8nderdeling<\/em>, mens dybere anl\u00e6g i dem faktisk allerede kender smerten ved at vide, at absolut intet <\/em>af dette vil f\u00f8re dem noget nyt sted hen. <\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . . . .<\/p>\n\n\n\n

Velkendt, alt for velkendt<\/strong><\/p>\n\n\n\n

Under den udvidede beskrivelse af Grusomhed<\/em> l\u00e6ngere inde i The Book of Thoth<\/em> m\u00f8der vi denne figurtegning: <\/p>\n\n\n\n

The number Nine, Yesod, brings back the Energy to the central pillar of the Tree of Life. The previous disorder is now rectified.<\/em><\/p>\n\n\n\n

But the general idea of the suit has been constantly degenerating. The Swords no longer represent pure intellect so much as the automatic stirring of heartless passions. Consciousness has fallen into a realm unenlightened by reason. This is the world of the unconscious primitive instincts, of the psychopath, of the fanatic.<\/em><\/p>\n\n\n\n

The celestial ruler is Mars in Gemini, crude rage of hunger operating without restraint; although its form is intellectual, it is the temper of the inquisitor.<\/em><\/p>\n\n\n\n

The symbol shows nine swords of varying lengths, all striking downwards to a point. They are jagged and rusty. Poison and blood drip from their blades.<\/em><\/p>\n\n\n\n

There is, however, a way of dealing with this card: the way of passive resistance, resignation, the acceptance of martyrdom.<\/em><\/p>\n\n\n\n

Nor is an alien formula that of implacable revenge<\/em> (s. 208).<\/p>\n\n\n\n

9-tallet bringer energien tilbage til Tr\u00e6ets midters\u00f8jle, s\u00e5 den kr\u00e6nkede orden genrejses. <\/p>\n\n\n\n

Ja, dette er netop 9-ernes almene <\/em>funktion. I de tre andre suiter udtrykkes denne fundamentale oprejsning i Stavenes Styrke, <\/em>B\u00e6grenes Gl\u00e6de <\/em>og Skivernes Vinding <\/em>– kun Sv\u00e6rdenes 9-tal er drabeligt ubehageligt. <\/p>\n\n\n\n

Hvorfor? <\/p>\n\n\n\n

Fordi det menneskelige intellekt ganske enkelt ikke er s\u00e5 stedkendt og duelig en rejsef\u00f8rer, som det gerne ville v\u00e6re – fordi Sv\u00e6rdenes brugbarhed sv\u00e6kkes, og deres iboende tendens til destruktion intensiveres, i takt med at energien uv\u00e6gerligt bev\u00e6ger sig nedad. <\/p>\n\n\n\n

Ja, diagnosen er vitterligt umisforst\u00e5elig: <\/p>\n\n\n\n

The Swords no longer represent pure intellect so much as the automatic stirring of heartless passions. Consciousness has fallen into a realm unenlightened by reason. This is the world of the unconscious primitive instincts, of the psychopath, of the fanatic.<\/em><\/p>\n\n\n\n

Opflammelse af hjertel\u00f8se lidenskaber, bevidsthedens fald fra h\u00f8jderne, neds\u00e6nkningen i uforstand; et smudsigt, sygeligt, rasende, selvoptaget sind. Mars \u00fcberalles.<\/span> <\/em><\/p>\n\n\n\n

Crude rage of hunger operating without restraint . . .<\/em><\/p>\n\n\n\n

Velkendt, alt for velkendt. <\/p>\n\n\n\n

Var der mon mere, I ville vide? <\/p>\n\n\n\n

.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

.<\/p>\n\n\n\n

Gift og blod<\/strong><\/p>\n\n\n\n

Vi n\u00e6rmer os for alvor bunden; l\u00e6s og betragt – igen: <\/p>\n\n\n\n

The symbol shows nine swords of varying lengths, all striking downwards to a point. They are jagged and rusty. Poison and blood drip from their blades<\/em><\/p>\n\n\n\n

– – – – –<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

– – – –<\/p>\n\n\n\n

Sv\u00e6rdene st\u00f8des, ub\u00f8nh\u00f8rligt, nedad mod et f\u00e6lles punkt<\/em>; vi ser, at de er takkede og rustne – og mesteren fort\u00e6ller os, at d\u00e9t, der drypper fra dem b\u00e5de er blod <\/em>og gift. <\/p>\n\n\n\n

I sandhed kvalmende. <\/p>\n\n\n\n

Hvad g\u00f8r vi her? Hvor g\u00e5r man hen, n\u00e5r alt g\u00e5r ned? <\/p>\n\n\n\n

Han svarer gerne:<\/p>\n\n\n\n

There is, however, a way of dealing with this card: the way of passive resistance, resignation, the acceptance of martyrdom.<\/em><\/p>\n\n\n\n

At godtage grusomheden som sit vilk\u00e5r. At tage vel imod fornedrelsen. Handlingsl\u00f8s modstand. Tilbagetr\u00e6kning til det stille kammer. Et domf\u00e6ldet vidnes tavst betragtende bevidsthed. <\/p>\n\n\n\n

Gennemboret – uden anskrig.<\/p>\n\n\n\n

. . .<\/p>\n\n\n\n

\"\"
Salvador Dali, 1951<\/figcaption><\/figure><\/div>\n\n\n\n

. . .<\/p>\n\n\n\n

En uforsonlig h\u00e6vn<\/strong><\/p>\n\n\n\n

Nej. <\/p>\n\n\n\n

S\u00e5 udramatisk kan det ikke ende. Der er mere. Tilf\u00f8jelsen er v\u00e6sentlig: <\/p>\n\n\n\n

Nor is an alien formula that of implacable revenge<\/span><\/em><\/p>\n\n\n\n

En uforsonlig h\u00e6vn<\/span> – mod hvem, mod hvad? <\/p>\n\n\n\n

Rungende tavshed.<\/p>\n\n\n\n

At fatte og forst\u00e5, hvad disse ord m\u00e5 indeb\u00e6re, overlades uden videre til den enkelte – til mennesket, som i sin iver selv har valgt at h\u00e6ve v\u00e5benet og derfor, n\u00e5r alt kommer til alt, en sk\u00f8nne dag vil vide, hvad det egentlig skal bruges til: <\/p>\n\n\n\n

“Whoso taketh the sword shall perish by the sword” is not a mystical threat, but a mystical promise. It is our own complexity that must be destroyed.<\/em><\/p>\n\n\n\n

Hengiv dig uden t\u00f8ven

G\u00f8r, <\/em>
hvad <\/em><\/span>
<\/span>du vil<\/span> <\/span><\/em>
. . .
. . .
. . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . . . . . . . .<\/p>\n\n\n\n

K\u00e6rlighed er Loven, k\u00e6rlighed under vilje<\/em><\/p>\n\n\n\n

. . . . . . . . .<\/p>\n\n\n\n

N\u00e6ste afsnit handler om\u00a010 Sv\u00e6rd<\/em> og kan l\u00e6ses her.<\/a><\/em><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

Velkommen til ottende afsnit af serien \u00c5rsrejse i Tarottens talkort. De foreg\u00e5ende tekster kan findes under hovedsiden Tarot.  G\u00f8r hvad du vil skal v\u00e6re hele Loven Alting synker, sindet skriger – dette er tankelivets smertelige selvfort\u00e6ring; det bev\u00e6gelige lufttegns anden dekan. Kortets navn er Grusomhed \/\/ Cruelty. Dets formel lyder: Luft + Mars i Tvillingerne + 9. … <\/p>\n

L\u00e6s videre “Grusomhed \/\/ Cruelty – 9 Sv\u00e6rd”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4,5],"tags":[165,219,232,225,82,230],"class_list":["post-2570","post","type-post","status-publish","format-standard","hentry","category-arkiv","category-tekster","tag-blod","tag-maanen","tag-mars","tag-svaerd","tag-tarot","tag-yesod"],"yoast_head":"\nGrusomhed \/\/ Cruelty - 9 Sv\u00e6rd - Stenblomster - til alle og ingen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nordaand.dk\/?p=2570\" \/>\n<meta property=\"og:locale\" content=\"da_DK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Grusomhed \/\/ Cruelty - 9 Sv\u00e6rd - Stenblomster - til alle og ingen\" \/>\n<meta property=\"og:description\" content=\"Velkommen til ottende afsnit af serien \u00c5rsrejse i Tarottens talkort. 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Oplev det, hvis du vil<\/a>. <\/p>\n\n\n\n