{"id":2675,"date":"2021-06-20T07:27:36","date_gmt":"2021-06-20T06:27:36","guid":{"rendered":"http:\/\/nordaand.dk\/?p=2675"},"modified":"2022-08-03T11:38:19","modified_gmt":"2022-08-03T10:38:19","slug":"undergang-ruin-10-svaerd","status":"publish","type":"post","link":"http:\/\/nordaand.dk\/?p=2675","title":{"rendered":"Undergang \/\/ Ruin – 10 Sv\u00e6rd"},"content":{"rendered":"
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\"\"<\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

Velkommen til niende afsnit af serien \u00c5rsrejse i Tarottens talkort<\/strong>. De foreg\u00e5ende tekster kan findes under hovedsiden Tarot<\/a><\/em>. <\/p>\n\n\n\n

. . . . . .<\/p>\n\n\n\n

G\u00f8r hvad du vil skal v\u00e6re hele Loven<\/em><\/p>\n\n\n\n

. . . . . .<\/p>\n\n\n\n

11. – 20. juni<\/em><\/p>\n\n\n\n

Dette er intellektets bund; Tvillingernes endem\u00e5l, Sv\u00e6rdenes l\u00e6nge ventede sammenbrud – en solrig fuldbyrdelse af processen. Kortets navn er Undergang \/\/ Ruin<\/em>. Dets formel lyder: Luft + Solen i Tvillingerne + 10. sf\u00e6re.<\/p>\n\n\n\n\n\n\n\n

Dybere kan der ikke styrtes:<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

Lad os som det f\u00f8rste overveje kortets navn: Ruin<\/em>. At ordet her er oversat med undergang<\/em> skyldes en simpel beslutning om i disse tekster generelt at f\u00f8lge titlerne fra den danske udgave af Thoth-kortene – for ja, s\u00e5dan nogle findes der (eftersigende). <\/p>\n\n\n\n

Det gode ved ordet ‘undergang’ er dels, at det indikerer en bev\u00e6gelse nedad<\/em>, hvilket jo her netop er sagen; dels at det i et dansk dagligsprog har nogenlunde samme anvendelse som det engelske ‘ruin’: “The choice to follow this nasty prophet became his ruin” \/\/ “Valget om at f\u00f8lge denne stygge profet blev hans undergang”. <\/p>\n\n\n\n

Det mindre tr\u00e6ffende ved ordet ‘undergang’ er, at hele den dimension af det engelske verbum ‘ruin’, som handler om at noget bliver smadret<\/em>, alts\u00e5 forvandlet til en ruin<\/em>, ikke f\u00e5r samme tydelighed som ligger i det engelske ord, hvilket for eksempel kunne have v\u00e6ret fremh\u00e6vet ved at anvende <\/em>et ord som ‘nedbrydning’, men hvor man s\u00e5 ikke havde \u00e6ret dagligsproget i samme grad som med ‘undergang’. <\/p>\n\n\n\n

Og nej, ‘ruin’ eller ‘ruinering’ er ikke en mulighed, for p\u00e5 dansk er denne metafor stivnet; at blive ruineret anvendes (desv\u00e6rre) udelukkende i et \u00f8konomisk perspektiv her hos os. <\/p>\n\n\n\n

Det korte af det lange: Her f\u00f8lger vi titlen fra de danske kort – under stadig hensyntagen til dybderne i Crowleys eget ordvalg. <\/p>\n\n\n\n

Dermed til sagen: Kongeriget, Malkuth<\/em>, materiens sf\u00e6re, vores hjem, den sidste Sephira; jordbunden her & nu, hvor alting, langt om l\u00e6nge, slutter, s\u00e5 det – n\u00e5r alt kommer til alt – igen kan blive nyt. <\/p>\n\n\n\n

. . . . .<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

. . . . .<\/p>\n\n\n\n

10-erne er en advarsel<\/strong><\/p>\n\n\n\n

Vi g\u00e5r til teksten:<\/p>\n\n\n\n

These cards are attributed to Malkuth. Here is the end of all energy; it is away from the “formative world” altogether, where things are elastic. There is now no planetary attribution to consider. So far as the Sephira is concerned, it is right down in the world of Assiah. By the mere fact of having devised four elements, the current has derogated from the original perfection. The Tens are a warning; see whither it leads to take the first wrong step!<\/em> (s. 187)<\/p>\n\n\n\n

Alts\u00e5: 10-erne og al deres v\u00e6sen er manifestationer af energiens afslutning<\/em>. Med konstateringen af, at vi her er helt og holdent p\u00e5 afstand af den formative verden<\/em>, henvises der til den nyligt<\/a> skildrede kabbalistiske inddeling af fire verdener:<\/p>\n\n\n\n

Atziluth \u2013 den arketypiske<\/em> verden
Briah \u2013 den kreative<\/em> verden
Yetzirah \u2013 den formative <\/em>verden
Assiah \u2013 den materielle<\/em> verden<\/p>\n\n\n\n

– som, blandt andet, svarer til systemets element\u00e6re skelnen mellem sj\u00e6lens fire dele:

Chiah – guddommelig livskraft<\/em> – Ild
Neshamah – sj\u00e6lelig intuition<\/em> – Vand
Ruach – bevidst intellekt<\/em> – Luft
Nephesh – dyrisk grundlag<\/em> – Jord

Det v\u00e6sentlige er, at den formative verden nu er bag os – eller rettere, over <\/em>os. Elasticiteten er et overst\u00e5et stadie. Alting f\u00e6stnes. <\/p>\n\n\n\n

Derfor finder vi ingen af de syv klassiske planeter som herskende himmellegeme her. Dette er Jordens sf\u00e6re, uomg\u00e6ngeligt materiel. <\/p>\n\n\n\n

Ordene er velvalgte: Ud fra selve den kendsgerning, at energiens str\u00f8m<\/em> har delt sig i elementernes firklang, er den afveget <\/em>fra sin oprindelige fuldkommenhed. Alts\u00e5 er 10-erne, som det, vanligt drilsk, udtrykkes, en advarsel<\/em>: S\u00e9 bare her, hvortil det uv\u00e6gerligt vil f\u00f8re, hvis blot der tages det f\u00f8rste (s\u00e5kaldt) forkerte skridt. <\/p>\n\n\n\n

. . .<\/p>\n\n\n

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\"\"
Hendrick Goltius, 1616<\/figcaption><\/figure>\n<\/div>\n\n\n

. . .<\/p>\n\n\n\n

Ikke helt uden h\u00e5b<\/strong><\/p>\n\n\n\n

Efter den almene beskrivelse af 10-erne l\u00e6ser vi den indledende omtale af dagens s\u00e6rlige emne:<\/p>\n\n\n\n

The Ten of Swords is called Ruin. It teaches the lesson which statesmen should have learned, and have not; that if one goes on fighting long enough, all ends in destruction.<\/em><\/p>\n\n\n\n

Yet this card is not entirely without hope. The Solar influence rules; ruin can never be complete, because disaster is a sthenic disease. As soon as things are bad enough, one begins to build up again. When all the Governments have smashed each other, there still remains the peasant. At the end of Candide’s misadventures, he could still cultivate his garden<\/em> (s. 187f). <\/p>\n\n\n\n

Observationens sandhed er indlysende – og advarslen evigt aktuel: Hvis kampen oph\u00f8jes som ener\u00e5dende og uoph\u00f8rligt princip ender alt, vitterligt, i \u00f8del\u00e6ggelse. <\/p>\n\n\n\n

Ikke desto mindre er, som det anf\u00f8res, dette kort ikke helt uden h\u00e5b. Hvorfor? Fordi absolut ingen af vores idiotiske p\u00e5fund (endnu) har vist sig i stand til at udslukke Solens livgivende indflydelse p\u00e5 vores bl\u00e5gr\u00f8nne Verden. <\/p>\n\n\n\n

Som det s\u00e5 vidunderligt klinisk udtrykkes: <\/p>\n\n\n\n

. . . ruin can never be complete, because disaster is a sthenic disease<\/span><\/em> . . .<\/p>\n\n\n\n

Man l\u00e6rer, mens man lever – hvis alts\u00e5 man vil: En sthenisk sygdom<\/em> er, oplyser l\u00e6gekunsten (alts\u00e5 internettet<\/a>), en lidelse, der hidr\u00f8rer fra “a morbid increase of vital (especially cardiac) action”; hvilket med modersm\u00e5lets ord<\/a> jo for eksempel kunne kaldes en tilstand, der hidr\u00f8rer fra “en for stor Kraftfylde i Legemet”. <\/p>\n\n\n\n

Den slags forstyrrelser kan, selvsagt, ikke vare evigt. Efter ophidselse og \u00f8del\u00e6ggelse f\u00f8lger n\u00f8dvendigvis en ny tid – for den, der stadig st\u00e5r: <\/p>\n\n\n\n

. . . As soon as things are bad enough, one immediately starts building up again. When all the governments have smashed each other, there still remains the peasant . . .<\/em><\/p>\n\n\n\n

Forh\u00e5bentlig er det forst\u00e5eligt: Alt dette er, i samme \u00e5ndedrag, aldeles konkrete observationer af Verdens s\u00e6dvanlige gang derude og antydninger af omsvingets lovm\u00e6ssighed i den enkeltes h\u00f8jst personlige dyb. <\/p>\n\n\n\n

Den litter\u00e6re henvisning er klarg\u00f8rende: Candide <\/em>er den alvorsmuntre frit\u00e6nker Voltaires satirisk henkastede fabel fra 1759 om en optimistisk opdraget ynglings retningsl\u00f8se zigzag-kurs gennem sk\u00e6bnelivets talrige eventyr & ulykker, som – da alt endelig kommer til alt – tjener til at l\u00e6re ham, hvad denne Verden egentlig er, og hvordan man bedst besinder sig p\u00e5 dens vilk\u00e5r, nemlig ved flittigt og t\u00e5lmodigt at hellige sig opdyrkelsen af sin egen have<\/span>. <\/p>\n\n\n\n

. <\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

.<\/p>\n\n\n\n

En sj\u00e6ll\u00f8s mekanisme<\/strong><\/p>\n\n\n\n

I den udfoldede beskrivelse af 10 of Swords <\/em>l\u00e6ngere inde i The Book of Thoth<\/em> l\u00e6ser vi:<\/p>\n\n\n\n

The number Ten, Malkuth, as always, represents the culmination of the unmitigated energy of the idea. It shows reason run mad, ramshackle riot of soulless mechanism; it represents the logic of lunatics and (for the most part) of philosophers. It is reason divorced from reality.<\/em> <\/p>\n\n\n\n

The card is also ruled by the Sun in Gemini, but the mercurial airy quality of the Sign serves to disperse his rays; this card shows the disruption and disorder of harmonious and stable energy.<\/em> <\/p>\n\n\n\n

The hilts of the Swords occupy the positions of the Sephiroth, but the points One to Five and Seven to Nine touch and shatter the central Sword (six) which represents the Sun, the Heart, the child of Chokmah and Binah. The tenth Sword is also in splinters. It is the ruin of the Intellect, and even of all mental and moral qualities.<\/em><\/p>\n\n\n\n

In the Yi King, Sol in Gemini is the virtue of the 43rd Hexagram, Kwai, the Watery modification of the Phallus; also, by the interlacing interpretation, the harmony of these two same Trigrams.<\/em><\/p>\n\n\n\n

The signification is perfectly harmonious with that of the Ten of swords. It represents the damping down of the Creative impulse, weakness, corruption, or mirage affecting that principle itself. But, viewing the Hexagram as a weapon or method of procedure, it counsels the ruler to purge the state of unworthy officers. Curiously, the invention of written characters to replace knotted strings is ascribed among Chinese scholars to the use of this hexagram by the sages. Gemini is ruled by Thoth; 10 is the key of the Naples Arrangement; and Apollo (Sol) is the patron of literature and the arts: so this suggestion might appear at least no less suitable to the Qabalistic correspondences than to their double emphasis on Water and the Sun<\/em>.<\/p>\n\n\n\n

Apart from this, however, the parallelism is complete <\/em>(s. 208f).<\/p>\n\n\n\n

Som vanligt ford\u00f8jer vi teksten en udsk\u00e6ring ad gangen. <\/p>\n\n\n\n

Alts\u00e5 – anslaget: Her har vi kulminationen af id\u00e9ens uformindskede energi; Sv\u00e6rdenes energi, luftens energi, intellektets energi. Ikke i sin oph\u00f8jelse, men i sin absolutte opbl\u00e6stheds totale selvfornedrelse:<\/p>\n\n\n\n

. . . reason run mad . . . ramshackle riot of soulless mechanism<\/span><\/em>. . . the logic of lunatics and (for the most part) of philosophers . . . reason divorced from reality<\/em>.<\/p>\n\n\n\n

Ja, kodeordet er understreget: en sj\u00e6ll\u00f8s mekanisme<\/em>; en menneskelig forstand adskilt fra virkelighedens v\u00e6v – d\u00e9r finder artens h\u00f8jtbesungne evne til at granske og erkende sit sikre bundpunkt i sit eget selvberusede sammenbrud. Vanvid og filosofi, to sider af den samme sag; evnen til selvbedrag er altid n\u00e6r – som t\u00e6nkningens t\u00e5belige tvilling.<\/p>\n\n\n\n

. <\/p>\n\n\n

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Auguste Rodin: Le Penseur, 1902<\/figcaption><\/figure>\n<\/div>\n\n\n

Solen, hjertet, barnet<\/strong><\/p>\n\n\n\n

Der cirkuleres og raffineres: <\/p>\n\n\n\n

The card is also ruled by the Sun in Gemini, but the mercurial airy quality of the Sign serves to disperse his rays; this card shows the disruption and disorder of harmonious and stable energy.<\/em><\/p>\n\n\n\n

Javist, her hersker Solen, men der er ikke desto mindre <\/span>noget<\/span> i luften: Merkur er, som brodertegnets hurtige Herre, vanligt udflyvende, p\u00e5 vingerne som flertydigt adspredende faktor – str\u00e5lerne forstyrres, samklangen brydes; kraften er utilregnelig<\/em>. <\/p>\n\n\n\n

Se blot – igen – p\u00e5 billedet, og overvej, hvad her bevidnes:<\/p>\n\n\n\n

. . . . . . . . . .<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

. . . . . . . . . .<\/p>\n\n\n\n

The hilts of the Swords occupy the positions of the Sephiroth, but the points One to Five and Seven to Nine touch and shatter the central Sword (six) which represents the Sun, the Heart, the child of Chokmah and Binah. The tenth Sword is also in splinters. It is the ruin of the Intellect, and even of all mental and moral qualities.<\/em><\/p>\n\n\n\n

S\u00e5 enkelt og anst\u00f8deligt: Solen, hjertet, barnet – sv\u00e6rdet i midten s\u00f8nderbrydes, s\u00e5 ordene kan opfyldes i den enkeltes egen undergang: <\/p>\n\n\n\n

Alle, der griber til sv\u00e6rd<\/em>, skal falde for sv\u00e6rd<\/span><\/em><\/p>\n\n\n\n

Ikke en trussel, men et l\u00f8fte<\/em>: Alt dette f\u00e5r en ende – s\u00e5 enhedens erfaring, igen, kan begynde. <\/p>\n\n\n\n

. . . the ruin of the Intellect, and even of all mental and moral qualities<\/em> . . .<\/p>\n\n\n\n

.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

.<\/p>\n\n\n\n

Kwai<\/strong><\/p>\n\n\n\n

Forvirret? Forh\u00e5bentlig. Nu bliver det rigtig godt:<\/p>\n\n\n\n

In the Yi King, Sol in Gemini is the virtue of the 43rd Hexagram, Kwai, the Watery modification of the Phallus; also, by the interlacing interpretation, the harmony of these two same Trigrams.<\/em><\/p>\n\n\n\n

Yi King – nutildags oftest stavet og udtalt I Ching – <\/em>er den kinesiske visdoms \u00e6ldgamle, komplekst \u00e6refrygtindgydende orakelbog, hvis titel typisk gengives som Forvandlingernes bog. <\/em><\/p>\n\n\n\n

Bogen er en samling varselstekniske beskrivelser af 64 figurer af ovenst\u00e5ende art; alts\u00e5 seks linjer, der enten er brudte eller ubrudte. Systemet fungerer s\u00e5dan, at disse figurer – heksagrammer kaldes de (fordi der er seks<\/em> linjer i dem) – fremkommer gennem en (selvf\u00f8lgelig) sindrig procedure, hvor der udtr\u00e6kkes en m\u00e6ngde (s\u00e5kaldt) tilf\u00e6ldige, Yin- eller Yang-m\u00e6rkede r\u00f8llike-stave eller kastes et n\u00e6rmere defineret antal m\u00f8nter, hvorudfra figurernes bin\u00e6re m\u00f8nstertegninger opst\u00e5r. Den interesserede anbefales at begive sig ud p\u00e5 det oceaniske internet<\/a> og\/eller anskaffe sig et eksemplar af bogen<\/a>.<\/p>\n\n\n\n

Det v\u00e6sentlige er, at Aleister Crowley var s\u00e6rdeles hjemmevant i og meget betaget af Forvandlingernes bog<\/em>; ja, det fort\u00e6lles ligefrem, at han i forbindelse med praktisk varselstagning faktisk v\u00e6sentligt oftere anvendte denne teknik end den hjemlige Tarot – der i h\u00f8jere grad gjorde tjeneste som almen tankestruktur end som praktisk orakul\u00e6rt redskab. <\/p>\n\n\n\n

Et tydeligt udslag af denne interesse for den kinesiske visdom er, at vi undervejs i The<\/em> Book of Thoth<\/em> af og til st\u00f8der p\u00e5 j\u00e6vnf\u00f8relser af denne art, hvor det heksagram, der if\u00f8lge Crowleys kabbalistiske logik modsvarer et vist kort i Tarotten, anvendes som fremkalderv\u00e6ske for forst\u00e5elsen af sagens dybere sammenh\u00e6ng. <\/p>\n\n\n\n

Godt, godt – her drejer det sig om heksagram 43, hvis navn er Kwai<\/em>. Crowleys egen(sindige) gendigtning<\/a> af dets grundtekst lyder s\u00e5dan her: <\/p>\n\n\n\n

THE KWAI HEXAGRAM<\/em><\/p>\n\n\n\n

Water of Lingam<\/span><\/em><\/p>\n\n\n\n

KWAI: Cutting off; displeasure; front thy foe;
but show reluctance due in acting so.
Lay well thy plans before the march begins.
Seek loyal friends and have no fear of gins.
Fight on alone; persistant courage wins!
Defeated, acquiesce – smiles conquer grins.
Uproot small men like purslane – tan their skins;
Cut off is he – and evil his end be!<\/em><\/p>\n\n\n\n

. <\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

. <\/p>\n\n\n\n

At rense staten for uv\u00e6rdige embedsm\u00e6nd<\/strong><\/p>\n\n\n\n

Weiter geht’s: <\/p>\n\n\n\n

The signification is perfectly harmonious with that of the Ten of swords. It represents the damping down of the Creative impulse, weakness, corruption, or mirage affecting that principle itself. But, viewing the Hexagram as a weapon or method of procedure, it counsels the ruler to purge the state of unworthy officers.<\/em><\/p>\n\n\n\n

Tungen skal holdes (u)s\u00e6dvanligt lige i munden, velvidende at Mester B\u00e6st b\u00e5de lever, \u00e5nder og foregriber d\u00f8den gennem de \u00f8jensynlige mods\u00e6tningers gensidige forl\u00f8sning: P\u00e5 den ene side fremviser kortet og heksagrammet begge en afd\u00e6mpning og udt\u00f8mning af den kreative impuls; <\/em>p\u00e5 den anden side ang\u00e5r de netop den slags fremst\u00f8d, der skal til for at h\u00e5ndtere en s\u00e5dan fornedrelse af den oprindelige energi: <\/p>\n\n\n\n

. . . to purge the state of unworthy officers . . . <\/em><\/p>\n\n\n\n

At rense staten for uv\u00e6rdige embedsm\u00e6nd – hvad betyder det? Et livsn\u00e6rt, intuitivt bud kunne v\u00e6re, at vi her – i billedets fulde betydning – atter vender os mod egen jordbund og g\u00f8r, hvad vi nu kan for at befordre de rette v\u00e6ksters trivsel ved viljefast udrensning<\/em> af alt, der viser sig som mindre v\u00e6rd i vores have<\/span><\/em>. <\/p>\n\n\n\n

. . . . . .<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

. . . . . .<\/p>\n\n\n\n

Hvad var det nu, profeten skrev?<\/strong><\/p>\n\n\n\n

Nu er vi d\u00e9r n\u00e6sten: <\/p>\n\n\n\n

Curiously, the invention of written characters to replace knotted strings is ascribed among Chinese scholars to the use of this hexagram by the sages. Gemini is ruled by Thoth; 10 is the key of the Naples Arrangement; and Apollo (Sol) is the patron of literature and the arts: so this suggestion might appear at least no less suitable to the Qabalistic correspondences than to their double emphasis on Water and the Sun<\/em>.<\/p>\n\n\n\n

Apart from this, however, the parallelism is complete<\/em>.<\/p>\n\n\n\n

Her bliver det i sandhed kompakt. Vi fors\u00f8ger os (for alles skyld) med en klarg\u00f8rende parafrase i numerisk orden: <\/p>\n\n\n\n

1) I Kina siges selve skriften som tegnsystem (\u00e5benbart) at v\u00e6re opfundet med afs\u00e6t i anvendelse af dette heksagram – som en afl\u00f8sning af et \u00e6ldre, mere primitivt kommunikationssystem, hvor man anvendte knyttede snore til formidling af simpelt indhold. <\/p>\n\n\n\n

2) Tvillingernes tegn er, i sin helhed, behersket af Merkur<\/em>, som i sin egyptiske form, Thoth<\/em>, kendes som skrivekunstens (og dermed magiens) ophavsmand – hvorved der fremst\u00e5r en indre <\/em>betydningsm\u00e6ssig sammenh\u00e6ng mellem det kinesiske heksagram 43 og det europ\u00e6iske Tarotkort Ruin<\/em>. <\/p>\n\n\n\n

Ok?<\/p>\n\n\n\n

3) Denne sammenh\u00e6ng f\u00e6stnes yderligere i kraft af 10-tallets grundpr\u00e6g, der kendes som selve hovedn\u00f8glen i Crowleys opstilling af talr\u00e6kkens mystiske indebyrd i det tidligere omtalte<\/a> Napoli-arrangement. <\/p>\n\n\n\n

4) Hertil kommer, at den solrige Herre Apollon i den gr\u00e6ske billedverden st\u00e5r som litteraturens og kunstens skytsgud – og dermed fremviser en hjemlig myto-kabbalistisk sammenf\u00f8jning af sol <\/span>& skrift<\/span>, der (i kosmisk forskudt symmetri) snildt kan j\u00e6vnf\u00f8res med de kinesiske vism\u00e6nds tydning af skrivef\u00e6rdighedens ophav i den bevidste h\u00e5ndtering af heksagram 43 . . . <\/p>\n\n\n\n

Skrivekunstens ophav i intellektets sammenbrud – agtsomt bevidnet i \u00d8st og Vest?! <\/p>\n\n\n\n

Krystallisk konsistent eller\/og rablende? <\/span>Oh, yes<\/span> – hvad var det nu, profeten skrev? <\/p>\n\n\n\n

The Tens are a warning; see whither it leads to take the first wrong step!<\/em><\/p>\n\n\n\n

. . . reason run mad . . .<\/em><\/p>\n\n\n\n

Det bedste er ustandseligt at hylde solen, overgive sig til foreningen, omsmede sine v\u00e5ben, adlyde stemmen – og ivrigt g\u00e5 i haven (ogs\u00e5 n\u00e5r det regner):<\/p>\n\n\n\n

For I am divided for love’s sake, for the chance of union<\/span><\/p>\n\n\n\n

.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

. . . . .<\/p>\n\n\n\n

K\u00e6rlighed er Loven, k\u00e6rlighed under vilje<\/em><\/p>\n\n\n\n

. . . . .<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

..<\/p>\n\n\n\n

N\u00e6ste afsnit handler om 2 B\u00e6gre <\/em>og kan l\u00e6ses her.<\/a><\/strong><\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Velkommen til niende afsnit af serien \u00c5rsrejse i Tarottens talkort. De foreg\u00e5ende tekster kan findes under hovedsiden Tarot.  . . . . . . G\u00f8r hvad du vil skal v\u00e6re hele Loven . . . . . . 11. – 20. juni Dette er intellektets bund; Tvillingernes endem\u00e5l, Sv\u00e6rdenes l\u00e6nge ventede sammenbrud – en solrig fuldbyrdelse af … <\/p>\n

L\u00e6s videre “Undergang \/\/ Ruin – 10 Sv\u00e6rd”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4,5],"tags":[234,233,215,220,225,82],"class_list":["post-2675","post","type-post","status-publish","format-standard","hentry","category-arkiv","category-tekster","tag-jorden","tag-malkuth","tag-merkur","tag-solen","tag-svaerd","tag-tarot"],"yoast_head":"\nUndergang \/\/ Ruin - 10 Sv\u00e6rd - Stenblomster - til alle og ingen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/nordaand.dk\/?p=2675\" \/>\n<meta property=\"og:locale\" content=\"da_DK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Undergang \/\/ Ruin - 10 Sv\u00e6rd - Stenblomster - til alle og ingen\" \/>\n<meta property=\"og:description\" content=\"Velkommen til niende afsnit af serien \u00c5rsrejse i Tarottens talkort. 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