{"id":3068,"date":"2021-07-21T11:54:42","date_gmt":"2021-07-21T10:54:42","guid":{"rendered":"http:\/\/nordaand.dk\/?p=3068"},"modified":"2021-08-01T22:52:59","modified_gmt":"2021-08-01T21:52:59","slug":"luksus-luxury-4-baegre","status":"publish","type":"post","link":"http:\/\/nordaand.dk\/?p=3068","title":{"rendered":"Luksus \/\/ Luxury – 4 B\u00e6gre"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

. . . .<\/p>\n\n\n\n

Velkommen til tolvte afsnit af serien \u00c5rsrejse i Tarottens talkort<\/strong>. De foreg\u00e5ende tekster kan findes under hovedsiden Tarot<\/a><\/em>. <\/p>\n\n\n\n

. . . . . .<\/p>\n\n\n\n

G\u00f8r hvad du vil skal v\u00e6re hele Loven<\/em><\/p>\n\n\n\n

. . . . .<\/p>\n\n\n\n

12. juli – 21- juli<\/em><\/p>\n\n\n\n

Dette er Krebsens udmunding – vandets opblandede manifestation i firklangen. Kortets navn er Luksus \/\/ Luxury. <\/em>Dets formel lyder: Vand + M\u00e5nen i Krebsen + 4. sf\u00e6re. <\/p>\n\n\n\n

Vi er nu i den sanselige Verden – under afgrunden: <\/p>\n\n\n\n\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

N\u00e5dens rum, den joviale Faders dagklare rige – Olympens smilende Herre, mild & munter, godvilligt givende; 4-tallet er, som vi erindrer<\/a>, hans himmellyse lyst & lov:<\/p>\n\n\n\n

These cards are attributed to Chesed. The connection between the number Four and the number Three is extremely complex. The important characteristic is that Four is “below the Abyss”; therefore, in practice, it means solidification, materialization. Things have become manifest. The essential point is that it expresses the Rule of Law<\/em> (s. 179).<\/p>\n\n\n\n

. . . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . . .<\/p>\n\n\n\n

Sanselighedens sager<\/strong><\/p>\n\n\n\n

I forl\u00e6ngelse af den almene indkredsning af firklangen f\u00f8lger, som altid, en kortfattet udspecificering af de enkelte elementers grundpr\u00e6g. Vandets 4 B\u00e6gre skildres her i umiddelbar forl\u00e6ngelse af og dermed i eksplicit sammenligning med Ildens 4 Stave, s\u00e5 for at f\u00e5 sammenh\u00e6ngen frem gengiver vi her beskrivelsen af begge kort: <\/p>\n\n\n\n

In the Wand suit, the card is called Completion. The manifestation promised by Binah has now taken place. This number must be very solid, because it is the actual dominating influence on all the following cards. Chesed, Jupiter-Ammon, the Father, the first below the Abyss, is the highest idea which can be understood in an intellectual way, and that is why the Sephira is attributed to Jupiter, who is the Demiurge.<\/em><\/p>\n\n\n\n

The Four of Cups is called Luxury.<\/em><\/p>\n\n\n\n

The masculine nature of fire permits the Four of Wands to appear as a very positive and clear-cut conception. The weakness in the element of water threatens its purity; it is not quite strong enough to control itself properly; so the Lord of Pleasure is a little unstable. Purity has somehow been lost in the process of satisfaction<\/em> (s. 179).<\/p>\n\n\n\n

Jupiter, som er demiurgen<\/em>: I sin grundform betyder ordet ‘d\u0113miurg\u00f3s’ – \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03cc\u03c2 – noget i retningen af ‘(kunst)h\u00e5ndv\u00e6rker’, og dette er netop, hvad udvidelsens glade Gud er og allerhelst vil v\u00e6re – en Verdensbygmester, hvis \u00e5benlyse mesterv\u00e6rk udtrykker og bekr\u00e6fter hans vidtfavnende v\u00e6sen. <\/p>\n\n\n\n

Med ildens konkretion g\u00e5r det, som Crowley skriver, ganske godt; d\u00e9r fuldbringes impulsen med V\u00e6dderens mandigt viljefaste magt. Med vandet er det anderledes. P\u00e5virkeligheden er her n\u00e6rv\u00e6rende som v\u00e6skens vilk\u00e5r. Svagheden er uomtvistelig. F\u00f8lelseslivet kendes som omskifteligt. Tilsmudsningen er uundg\u00e5elig. <\/p>\n\n\n\n

. . . it is not quite strong enough to control itself properly<\/em> . . .<\/span><\/p>\n\n\n\n

Alts\u00e5 er Nydelsens Herre<\/em> en smule ustabil<\/em>. Titlen The Lord of Pleasure <\/em>stammer fra logen The Hermetic Order of the Golden Dawn<\/em>, hvori Crowley tilegnede sig sine tidlige okkulte pr\u00e6gninger og s\u00e5ledes fik lagt grundlaget for den forst\u00e5else af Tarotten, der sidenhen skulle udvikles i ham. <\/p>\n\n\n\n

I Understanding Aleister Crowley’s Thoth Tarot<\/em> angiver Lon Milo DuQuette, at den oprindelige Golden Dawn-titel til dette kort er The Lord of blended<\/em> Pleasure, <\/em>hvilket – set herfra – forekommer at v\u00e6re en b\u00e5de munter og tr\u00e6ffende m\u00e5de at udpege kortets energi. <\/p>\n\n\n\n

Ben\u00e6vnelsen Luxury<\/em> er Crowleys egen og kan vel rimeligvis forst\u00e5s som udspecificering af, hvad det vil sige, at der her er tale om en festlig gl\u00e6de ved sanselighedens sager, b\u00e5de derude og derinde, som i sig rummer tilb\u00f8jeligheden mod sin egen forplumring, fordi den i sin str\u00e5lende selvforblindelse alt for ofte glemmer, at disse skvulpende \u00f8jeblikstilstande aldrig kan blive varige st\u00f8ttepunkter viljens egentlige selvbef\u00e6stning i Verden. <\/p>\n\n\n\n

. . . Purity has somehow been lost in the process of satisfaction<\/em> . . . <\/span><\/p>\n\n\n\n

. . . .<\/p>\n\n\n\n

\"\"
Jacques de l’Ange, ‘Gluttony’, ca. 1642<\/figcaption><\/figure><\/div>\n\n\n\n

. . . .<\/p>\n\n\n\n

M\u00e5nen i Krebsen<\/strong><\/p>\n\n\n\n

Den udfoldede beskrivelse af Luxury <\/em>l\u00e6ngere inde i The Book of Thoth<\/em> lyder s\u00e5dan her: <\/p>\n\n\n\n

This card refers to Chesed in the sphere of Water. Here, below the Abyss, the energy of this element, although ordered, balanced and (for the moment) stabilized, has lost the original purity of the conception.<\/em><\/p>\n\n\n\n

The card refers to the Moon in Cancer, which is her own house; but Cancer itself is so placed that this implies a certain weakness, an abandonment to desire. This tends to introduce the seeds of decay into the fruit of pleasure.<\/em><\/p>\n\n\n\n

The sea is still shown, but its surface is ruffled, and the four Cups which stand upon it are no longer so stable. The Lotus from which the water Springs has a multiple stem, as if to show that the influence of the Dyad has gathered strength. For although the number Four is the manifestation and consolidation of the dyad, it is also secretly preparing catastrophe by emphasizing individuality.<\/em><\/p>\n\n\n\n

There is a certain parallelism between this card and the Geomantic figures Via and Populus, which are attributed to the Moon in her decrease and increase respectively. The link is primarily the “Change=Stability” equation, already<\/em> familiar to readers of this essay. Four is an “awkward” number; alone among the natural numbers, it is impossible to construct a “Magic Square” of four cells. Even in the Naples Arrangement, Four is a dead stop, a blind alley. An idea of a totally different Order is necessary to carry on the series. Note also the refolding-in-upon-itself suggested by the “Magic Number” of Four 1+2 + 3+4 which is Ten. Four is the number of the Curse of Limitation, of Restriction. It is the blind and barren Cross of equal arms, Tetragrammaton in his fatal aspect of finality, as the Qabalists knew him before the discovery of the Revolving Formula whereby the Daughter, seated upon the Throne of the Mother, “awakens the Eld of the All-Father”.<\/em><\/p>\n\n\n\n

For the meanings of Via and Populus, refer to the “Handbook of Geomancy” (Equinox Vol. I, No.2).<\/em><\/p>\n\n\n\n

Som vanligt begynder vi ved begyndelsen og arbejder os t\u00e5lmodigt, taktfast nedad – med saturnisk ynde og venusisk afvejning. <\/p>\n\n\n\n

Alts\u00e5: Chesed<\/em> i vandets sf\u00e6re; n\u00e5dens glitrende v\u00e6rk i f\u00f8lelsernes st\u00e6rke str\u00f8m. Det lyder v\u00e6ldig dejligt – s\u00e5 advarslen b\u00f8r ikke overh\u00f8res: <\/p>\n\n\n\n

. . . although ordered, balanced and (for the moment) stabilized, has lost the original purity of the conception . . . <\/em><\/span><\/p>\n\n\n\n

Denne grundbestemmelse udfoldes med de efterf\u00f8lgende ord: <\/p>\n\n\n\n

The card refers to the Moon in Cancer, which is her own house; but Cancer itself is so placed that this implies a certain weakness, an abandonment to desire. This tends to introduce the seeds of decay into the fruit of pleasure.<\/em><\/p>\n\n\n\n

M\u00e5nen i Krebsen: Ja, netop, Luna er Krebsens herskerinde og dermed fuldgyldigt i egen bolig, b\u00e5de som tegnets og tredelingens afg\u00f8rende faktor. Almindeligvis er udfaldet v\u00e6sentligt mere entydigt, n\u00e5r en himmelmagt befinder sig i eget tegn og s\u00e5ledes erfares i sin st\u00e6rkeste fremtr\u00e6delsesform. Overvej for eksempel de 2 Staves udm\u00f8ntning af Mars i V\u00e6dderen, <\/em>der uden det mindste forbehold kaldes Herred\u00f8mme<\/a><\/em>. <\/p>\n\n\n\n

Med M\u00e5nen er det anderledes. Foranderligheden er selve hendes pr\u00e6mis. Ubestandighedens er hendes budskab. Hun opdrager os i den vanskelige kunst at acceptere alt<\/em> – men g\u00f8r det netop kun, hvis vi forst\u00e5r at \u00e6re hende som d\u00e9t og den, hun er og udelukkende vil v\u00e6re; et natligt dragende gensk\u00e6r til vidnesbyrd om den slags lys, som ikke sortner f\u00f8r til allersidst, n\u00e5r hemmeligheden endelig bliver afkl\u00e6dt.<\/p>\n\n\n\n

Krebsens tegn er, skriver Crowley, s\u00e5dan placeret, at der her un\u00e6gteligt er tale om en vis svagelighed; en sv\u00e6kket viljes selvovergivelse til beg\u00e6rets slavebinding, hvor lystens ydre genstand, der ene og alene skulle have v\u00e6ret selvvirkeligg\u00f8relsens krog og middel, nu bliver bes\u00e6ttende og bindende – s\u00e5 retningssansen sv\u00e6kkes. <\/p>\n\n\n\n

This tends to introduce the seeds of decay into the fruit of pleasure.<\/span><\/em><\/p>\n\n\n\n

. . . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . . .<\/p>\n\n\n\n

Havet fremvises fortsat<\/strong><\/p>\n\n\n\n

Og nu til selve billedet: <\/p>\n\n\n\n

The sea is still shown, but its surface is ruffled, and the four Cups which stand upon it are no longer so stable. The Lotus from which the water Springs has a multiple stem, as if to show that the influence of the Dyad has gathered strength. For although the number Four is the manifestation and consolidation of the dyad, it is also secretly preparing catastrophe by emphasizing individuality.<\/em><\/p>\n\n\n\n

Ja, ja – havet fremvises fortsat, men overfladen er nu riflet, for vandet er i bev\u00e6gelse. Noget er ved at n\u00e6rme sig. Se blot p\u00e5 himlen: <\/p>\n\n\n\n

. . . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . . .<\/p>\n\n\n\n

M\u00f8rkningen er \u00e5benlys: Uvejr og nat – indvarslede af samme syn; stabiliteten er forl\u00e6ngst forspildt. <\/p>\n\n\n\n

Den tekniske udm\u00f8ntning er afg\u00f8rende: <\/p>\n\n\n\n

. . . that the influence of the Dyad has gathered strength. For although the number Four is the manifestation and consolidation of the dyad, it is also secretly preparing catastrophe by emphasizing individuality . . .<\/em><\/p>\n\n\n\n

Dyaden, alts\u00e5 toklangen<\/span> i toppen; Faderen & Moderens samstemmige forening foroven – i 4-tallet h\u00e5ndgribeligg\u00f8res og bef\u00e6stes dette samkvem som m\u00e6rkbart udspaltet realitet<\/span><\/em>, men netop derved forberedes samtidig katastrofen<\/em>. <\/p>\n\n\n\n

\u00d8del\u00e6ggelsen dv\u00e6ler i individualiteten. <\/p>\n\n\n\n

Hvad menes der? Enhver svarer for sig – og oplever i sig. Her holder vi os blot til ord & billeder. Mandatet er at pege og at sk\u00e6nke, ikke at f\u00e6stne og opfylde. <\/p>\n\n\n\n

. .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. .<\/p>\n\n\n\n

Via og Populus<\/strong><\/p>\n\n\n\n

Det h\u00f8rer ikke op: <\/p>\n\n\n\n

There is a certain parallelism between this card and the Geomantic figures Via and Populus, which are attributed to the Moon in her decrease and increase respectively. The link is primarily the “Change=Stability” equation, already<\/em> familiar to readers of this essay. <\/em><\/p>\n\n\n\n

Geomantik er, som f\u00f8r n\u00e6vnt<\/a>, et jordn\u00e6rt himmelvendt varselssystem med antikke r\u00f8dder, som Crowley ligesom s\u00e5 meget andet godt havde med sig fra tiden i Golden Dawn<\/em> og med j\u00e6vne mellemrum lader glide med ind i udh\u00e6vningerne af Tarottens billeder. <\/p>\n\n\n\n

Her drejer det sig om en vis samstemmighed med de to figurer Via <\/em>og Populus <\/em>– Vejen & Folket, der, som det n\u00e6vnes, begge er forbundne med M\u00e5nen, henholdsvis i hendes aftagende og tiltagende skikkelse. <\/p>\n\n\n\n

.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

.<\/p>\n\n\n\n

Alts\u00e5, en simpel sammenf\u00f8jning af de to figurer – Vejens ene linje mellem Folkets to: <\/p>\n\n\n\n

.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

.<\/p>\n\n\n\n

Hovedsagen er, at disse to figurer i deres forening tjener til endnu en illustration<\/em> af den allerede ofte fremf\u00f8rte lunare ligning: <\/p>\n\n\n\n

The link is primarily the “Change=Stability” equation<\/span>, already<\/em> familiar to readers of this essay.<\/em><\/p>\n\n\n\n

Begr\u00e6nsningens forbandelse<\/strong><\/p>\n\n\n\n

Med de ord vendes blikket atter mod selve 4-tallets s\u00e6rpr\u00e6g: <\/p>\n\n\n\n

Four is an “awkward” number; alone among the natural numbers, it is impossible to construct a “Magic Square” of four cells. Even in the Naples Arrangement, Four is a dead stop, a blind alley. An idea of a totally different Order is necessary to carry on the series. Note also the refolding-in-upon-itself suggested by the “Magic Number” of Four 1+2 + 3+4 which is Ten. Four is the number of the Curse of Limitation, of Restriction. <\/em><\/p>\n\n\n\n

Et akavet tal, en kejtet m\u00e6ngde – enest\u00e5ende blandt de naturlige tal, hvilket, oplyses vi, blandt andet viser sig ved den kendsgerning, at der ikke kan konstrueres et magisk kvadrat <\/em>ud af fire blokke. <\/p>\n\n\n\n

Og hvad er s\u00e5 et magisk kvadrat? Det gl\u00e6der os inderligt, at du sp\u00f8rger! <\/p>\n\n\n\n

En magisk kvadrat er – ganske enkelt og uhyrligt \u00e6refrygtindgydende – en firkant inddelt i en r\u00e6kke mindre firkanter, som hver is\u00e6r indeholder et givet tal, s\u00e5ledes at tallene i hver eneste <\/em>vertikale, horisontale og diagonale r\u00e6kke giver samme v\u00e6rdi. <\/p>\n\n\n\n

Det kunne for eksempel v\u00e6re 15:<\/p>\n\n\n\n

. . . . . . . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . . . . . . <\/p>\n\n\n\n

Eller 175:<\/p>\n\n\n\n

. . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . . .<\/p>\n\n\n\n

Alt dette er, afd\u00e6mpet udtrykt, s\u00e6rdeles vigtig visdom i Crowleys system. Den interesserede anbefales at se sig lidt omkring p\u00e5 internettet<\/a> og sidenhen, hvis lysten bliver vild & voldsom, selv ops\u00f8ge Crowleys eget talmagiske hovedv\u00e6rk 777<\/a><\/em>.<\/p>\n\n\n\n

Vi holder os til hovedsporet: Ogs\u00e5 i Napoli-arrangementet<\/em> viser 4-tallet sig som et d\u00f8dt punkt; en blindgyde for impulsens videre udfoldelse. <\/p>\n\n\n\n

Vi erindrer, fra skildringen af \u00e5rsrejsens f\u00f8rste 5-er<\/a>, at the Naples Arrangement <\/em>er Crowleys fremstilling af den basale talmagiske struktur, der udg\u00f8r fundamentet under Tarotten – og (siger han) alt andet:<\/p>\n\n\n\n

.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. <\/p>\n\n\n\n

Kravl selv ind og kik i The Book of Thoth<\/em>, hvis du vil vide mere. Det korte af det lange f\u00e5r du her: <\/p>\n\n\n\n

. . . An idea of a totally different Order is necessary to carry on the series<\/em> . . .<\/span><\/p>\n\n\n\n

Stilstand er d\u00f8d. Luksus er ikke livet. Firtallet folder sig ind i sig selv og rammer bevidstl\u00f8st bunden – som det st\u00e5r skrevet: 1+2+3+4 = 10. Dommen er afsagt: <\/p>\n\n\n\n

. . . Four is the number of the Curse of Limitation, of Restriction . . . <\/span><\/em><\/p>\n\n\n\n

. . . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . . .<\/p>\n\n\n\n

Den sande Alfaders ild<\/strong><\/p>\n\n\n\n

I al sin enkelhed – og med aldeles uoverskuelige implikationer:<\/p>\n\n\n\n

It is the blind and barren Cross of equal arms, Tetragrammaton in his fatal aspect of finality, as the Qabalists knew him before the discovery of the Revolving Formula whereby the Daughter, seated upon the Throne of the Mother, “awakens the Eld of the All-Father”.<\/em><\/p>\n\n\n\n

Kort fortalt: Dette er afregningen med den d\u00f8de orden – fremf\u00f8relsen af selve den emancipatoriske kerneformel i Tarottens mekanik; en frugtbarg\u00f8relse & forl\u00f8sning af det sterile Gudsnavn gennem spiralisk rotation, hvorved Jordens svangre Prinsesse i sin fuldbyrdede nedfart sejrssikkert oprejses til Himmeldronning, s\u00e5 alting forts\u00e6ttes, fornyes og forst\u00e5es i opv\u00e6kkelsen af den sande Alfaders ild. <\/p>\n\n\n\n

Kun hun kan g\u00f8re det.<\/p>\n\n\n\n

. . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. . .<\/p>\n\n\n\n

Det ene med det andet<\/strong><\/p>\n\n\n\n

Den sidste s\u00e6tning er en venlig henvisning:<\/p>\n\n\n\n

For the meanings of Via and Populus refer to the “Handbook of Geomancy” (Equinox Vol. I, No.2).<\/em><\/p>\n\n\n\n

I dette v\u00e6rk, hvis tekniske titel er Liber Gaias sub figura XCVI<\/a><\/em> l\u00e6ser vi f\u00f8lgende sammenfatninger af de Vejens <\/em>og Folkets<\/em> betydninger – i n\u00e6vnte r\u00e6kkef\u00f8lge: <\/p>\n\n\n\n

Injurious to the goodness of other figures<\/em> generally<\/em>, but<\/em> good for journeys and voyages. <\/em><\/span><\/p>\n\n\n\n

Sometimes good, sometimes bad; good with good, evil with evil. <\/span><\/em><\/p>\n\n\n\n

At tage det ene med det andet; vedholdende at vove rejsen og acceptere cirkulationen, velvidende at lys & lykke altid vil str\u00f8mme fra det sande centrum – d\u00e9r har vi M\u00e5nens egentlige afsl\u00f8ring af mysteriet. Renhed er at leve alene for det h\u00f8jeste.<\/p>\n\n\n\n

Alting begynder. Solen er ung. <\/span><\/p>\n\n\n\n

. . <\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

. .<\/p>\n\n\n\n

K\u00e6rlighed er Loven, k\u00e6rlighed under vilje<\/em><\/p>\n\n\n\n

. . .<\/p>\n\n\n\n

N\u00e6ste afsnit handler om\u00a05 Stave<\/em> og kan l\u00e6ses her<\/a><\/strong>.<\/p>\n\n\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

. . . . Velkommen til tolvte afsnit af serien \u00c5rsrejse i Tarottens talkort. De foreg\u00e5ende tekster kan findes under hovedsiden Tarot.  . . . . . . G\u00f8r hvad du vil skal v\u00e6re hele Loven . . . . . 12. juli – 21- juli Dette er Krebsens udmunding – vandets opblandede manifestation i firklangen. Kortets … <\/p>\n

L\u00e6s videre “Luksus \/\/ Luxury – 4 B\u00e6gre”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4,5],"tags":[236,208,207,240,231,82],"class_list":["post-3068","post","type-post","status-publish","format-standard","hentry","category-arkiv","category-tekster","tag-baegre","tag-chesed","tag-jupiter","tag-krebsen","tag-luna","tag-tarot"],"yoast_head":"\nLuksus \/\/ Luxury - 4 B\u00e6gre - Stenblomster - til alle og ingen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/nordaand.dk\/?p=3068\" \/>\n<meta property=\"og:locale\" content=\"da_DK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Luksus \/\/ Luxury - 4 B\u00e6gre - Stenblomster - til alle og ingen\" \/>\n<meta property=\"og:description\" content=\". . . . 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