{"id":3877,"date":"2021-10-24T08:14:12","date_gmt":"2021-10-24T07:14:12","guid":{"rendered":"http:\/\/nordaand.dk\/?p=3877"},"modified":"2021-11-28T07:23:25","modified_gmt":"2021-11-28T06:23:25","slug":"vaabenhvile-truce-4-svaerd","status":"publish","type":"post","link":"http:\/\/nordaand.dk\/?p=3877","title":{"rendered":"V\u00e5benhvile \/\/ Truce – 4 Sv\u00e6rd"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

Velkommen til afsnit 21 af serien\u00a0\u00c5rsrejse i Tarottens talkort<\/strong>. De foreg\u00e5ende tekster kan findes under hovedsiden\u00a0Tarot<\/a><\/em>.\u00a0<\/p>\n\n\n\n

* * *<\/p>\n\n\n\n

G\u00f8r hvad du vil skal v\u00e6re hele Loven<\/em><\/p>\n\n\n\n

* * *<\/p>\n\n\n\n

13. oktober \u2013 22. oktober<\/p>\n\n\n\n

Dette er V\u00e6gtens udgang – sindets tilstr\u00e6bte bestr\u00e6belse p\u00e5 v\u00e6bnet afvejning. Kortets navn er Truce \/\/ V\u00e5benhvile<\/em>. Dets formel lyder: Luft + Jupiter i V\u00e6gten + 4. sf\u00e6re. <\/p>\n\n\n\n

Afgrunden er nu atter over os: <\/p>\n\n\n\n\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Om Chesed v\u00e9d vi fra skildringerne af de 4. Staves Fuldendelse<\/a><\/em> og de 4 B\u00e6gres Luksus<\/a><\/em>, at dette er den n\u00e5digt verdensskabende Faders str\u00e5leklare hjemsted – som det kan kendes og \u00e6res under<\/em> Afgrunden: <\/p>\n\n\n\n

These cards are attributed to Chesed. The connection between the number Four and the number Three is extremely complex. The important characteristic is that Four is “below the Abyss”; therefore, in practice, it means solidification, materialization. Things have be- come manifest. The essential point is that it expresses the Rule of Law.<\/em>
. . .
The manifestation promised by Binah has now taken place. This number must be very solid, because it is the actual dominating influence on all the following cards. Chesed, Jupiter-Ammon, the Father, the first below the Abyss, is the highest idea which can be understood in an intellectual way, and that is why the Sephira is attributed to Jupiter, who is the Demiurge.<\/em><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Det korte af det lange: Jupiters sf\u00e6re er, n\u00e5r alt g\u00e5r vel, forst\u00e5elsens aktualisering her i den begribelige Verden og dermed, som Mester B\u00e6st bem\u00e6rker, den h\u00f8jeste id\u00e9, der kan h\u00e5ndteres med det almindelige menneskelige intellekt – en lovformelighed at leve i og str\u00e6be efter, under den store Velg\u00f8rers milde blik og lyse latter. <\/p>\n\n\n\n

I den f\u00f8rn\u00e6vnte posthume rekonstruktion af Crowleys astrologiske grundv\u00e6rk The General Principles of Astrology <\/em>(som desv\u00e6rre ikke er frit tilg\u00e6ngelig p\u00e5 nettet, men for den rette l\u00e6ser alle pengene v\u00e6rd<\/a>) finder vi disse kyndigt sammenfattende ord om nattehimlens klareste himmelmagt: <\/p>\n\n\n\n

Great is Jupiter, firm, four-square, unshakable in his mighty course. Behold him lord it over the sky at night, a blaze of gold and azure. Venus never moves far from the Sun; there is a twilight star. But Jupiter leaps upon the saddle of midnight like a warrior king on his black mare.<\/em><\/p>\n\n\n\n

To one who loves Jupiter his grace is urgent<\/span>, returning tenfold all adoration. Blessings flock about his feet, as dogs greet their master at his homecoming. Success rides laughing at his right hand, and on his left is Love. Before him Fame stalks forth with silver trumpet, and the invisible host of Power follow his footsteps.<\/em><\/p>\n\n\n\n

And there is danger – the danger of plethora. Even Jupiter may sit too long at the banquet; the friend of Jupiter may occupy himself too much with things too earthy to be permanent. It is important for each of us to emphasize the noble and religious aspects of Jupiter. He is in a dangerous position between the leaden Saturn and the iron Mars. His true relations are Venus and the Sun and Mercury, and they are far off. He represents the utmost height of achievement merely human<\/span> and thus may fall by success into desuetude, or by failure into heaviness of wrath. <\/em><\/p>\n\n\n\n

Remember that though Jupiter is supreme there are spheres beyond<\/span>. This is the summit of life, but in life is more than life, for beyond life is death, and beyond death new life – strange, mystical and glorious. When you have touched success, aspire to that which is above<\/span>, and as to the blessings of the earthly life, let it be your pleasure to shower them on those that have need of them.<\/em><\/p>\n\n\n\n

So shall you fulfil divine economy; so shall you attain the holy mountains whose snow-pearls glitter beyond the peaceful river of the fullness of life. <\/em> <\/p>\n\n\n\n

B\u00e5de opmuntring og formaning st\u00e5r lysende klare – for den, der kan & vil forst\u00e5: Nyd frit og gerne Jordens gode gl\u00e6der, velvidende at der er mere, meget mere, at indse og erfare hinsides d\u00e9t, som bygmestre og sm\u00e5folk kalder Verdens lyst & lykke. <\/p>\n\n\n\n

* * *<\/p>\n\n\n\n

I det kabbalistiske eventyr The Wake World<\/a> <\/em>modtager vi, fra den opv\u00e5gnende heltindes mund, en smukt tr\u00e6ffende udh\u00e6vning af dette grundsyn: <\/p>\n\n\n\n

I would have liked to stay in the Fourth House all my life, but I began to see it was just a little dream House too; and I couldn\u2019t rest, because my own House was the very next one. But it\u2019s too awful to tell you how to get there. You want the most fearful lot of courage, and there\u2019s nobody to help you, nobody at all, and there\u2019s no proper passage. But it\u2019s frightfully exciting<\/em> . . . <\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Den st\u00e6rke mand<\/strong><\/p>\n\n\n\n

I forl\u00e6ngelse af de almene ord i The Book of Thoth<\/em> om 4-erne l\u00e6ser vi denne kortfattede indkredsning af de 4 Sv\u00e6rds egenart – som den mentale konkretion af Cheseds grundpr\u00e6g: <\/p>\n\n\n\n

The Four of Swords is called Truce. This seems rather on the lines of “the strong man armed, keeping his house in peace”. The masculine nature of air makes it dominant. The card is almost a picture of the formation of the military clan system of society.<\/em><\/p>\n\n\n\n

Ordvalget er enkelt og sagligt, hverken en lovsang eller indvending: En v\u00e6bnet fred, bef\u00e6stet og behersket af den st\u00e6rke mand – hvis vilje hviler p\u00e5 krigerens kongeligt formgivende l\u00e6ngsel efter at vogte og v\u00e6rne om sin stammes trivsel. <\/p>\n\n\n\n

S\u00e5 vidt, s\u00e5 godt. <\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

Jupiter i Libra<\/strong><\/p>\n\n\n\n

I den mere indg\u00e5ende – og n\u00e6rg\u00e5ende – beskrivelse af V\u00e5benhvilens <\/em>indebyrd l\u00e6ngere inde i <\/em>den gode billedbog l\u00e6ser vi denne afbalancering og tilrettevisning af det jovialt-kvadratiske princip: <\/p>\n\n\n\n

The number Four, Chesed, is here manifested in the realm of the Intellect. Chesed refers to Jupiter who rules in Libra in this decanate. The sum of these symbols is therefore without opposition; hence the card proclaims the idea of authority in the intellectual world. It is the establishment of dogma, and law concerning it. It represents a refuge from mental chaos, chosen in an arbitrary manner. It argues for convention.<\/em><\/p>\n\n\n\n

The hilts of the four Swords are at the corner of a St. Andrew’s cross. Their shape suggests fixation and rigidity. Their points are sheathed—in a rather large rose of forty-nine petals representing social harmony. Here, too, is compromise.<\/em><\/p>\n\n\n\n

Minds too indolent or too cowardly to think out their own problems hail joyfully this policy of appeasement. As always, the Four is the term; as in this case there is no true justification for repose, its disturbance by the Five holds no promise of advance; its static shams go pell-mell into the melting-pot; the issue is mere mess, usually signalized by foetid stench. But it has to be done!<\/em><\/p>\n\n\n\n

Som det f\u00f8rste anf\u00f8res det, at vi her m\u00f8der Jupiter som dekanhersker. Dette er vigtigt, for hermed befinder vi os i den undtagelsessituation i Tr\u00e6et at tr\u00e6ffe Guden i sit eget hjem. Denne sammenh\u00e6ng mellem hersker og sf\u00e6re g\u00e6lder, i sagens natur, for hele indev\u00e6rende nedfart gennem strukturen – og indledtes s\u00e5ledes allerede i forrige kapitel, hvor vi jo netop traf Sorgbringeren i sin egen sf\u00e6re Binah<\/a>. <\/p>\n\n\n\n

Det v\u00e6sentlige er, at denne overensstemmelse mellem himmelmagt og hus lader til at indeb\u00e6re en slags eskalering, en tydeligg\u00f8relse af sf\u00e6rens grundpr\u00e6g, s\u00e5ledes at vi i denne gennemrejse tr\u00e6ffer hver enkelt planet i sin reneste, klareste manifestation. <\/p>\n\n\n\n

Med andre ord: Her har vi, \u00f8jensynligt, s\u00e6rligt gunstig lejlighed til at opleve og forst\u00e5, hvem disse Magter er – og hvad de vil. <\/p>\n\n\n\n

. . . The sum of these symbols are therefore without opposition<\/em> . . . <\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

En tilflugt fra mentalt kaos<\/strong><\/p>\n\n\n\n

Den enkle udpegning er s\u00e5ledes, at Olympens lyse Herre i eget hus – pr\u00e6get af viljestyrkens dynamik i luftens element – markerer the idea of authority in the intellectual world<\/em>, konkret udm\u00f8ntet i the establishment of dogma, and law<\/em>. <\/p>\n\n\n\n

Javist, alt dette lyder i en vis forstand ganske godt, eller i hvert fald jordisk uomg\u00e6ngeligt, men netop her fremtr\u00e6der forskydningen i teksten, hvor nedbrydningen p\u00e5begyndes af det netop fremmanede heltebillede: <\/p>\n\n\n\n

. . . It represents a refuge from mental chaos, chosen in an arbitrary manner . . . <\/em><\/p>\n\n\n\n

En tilflugt fra mentalt kaos – en viljessvag, tilbagetr\u00e6kning fra Verdens flertydigt vrimlende, str\u00f8mmende, blussende, bl\u00e6sende omskiftelighed til indbildningen om den uforanderligt enhedslige orden, hvorfra konger og krigere kan overskue, retlede og bemestre alt og alle. <\/p>\n\n\n\n

Prisen for denne selvopbl\u00e6ste dr\u00f8m om fyrstens urokkeligt faderlige figur er absolut uantagelig for den, som elsker og agter sin Verden og sin Vilje, som de er: <\/p>\n\n\n\n

. . . It argues for convention<\/em> . . .<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Social harmoni<\/strong><\/p>\n\n\n\n

Som det n\u00e6ste udh\u00e6ves og understreges symbolikken i selve kortets udseende:<\/p>\n\n\n\n

The hilts of the four Swords are at the corner of a St. Andrew’s cross. Their shape suggests fixation and rigidity. Their points are sheathed—in a rather large rose of forty-nine petals representing social harmony. Here, too, is compromise.<\/em><\/p>\n\n\n\n

Et Andreaskors – dermed henvises der til den type ligearmet kors, hvorp\u00e5 Nazar\u00e6erens ivrige menneskefisker Andreas if\u00f8lge oldkirkelig overlevering modtog sin martyrd\u00f8d som blodvidne om Store Fars n\u00e5derige tilgivelse af Jordens formastelige b\u00f8rn. <\/p>\n\n\n\n

V\u00e6sentligt er det, at selve ordet ‘andreas’\/ ‘\u03b1\u03bd\u03b4\u03c1\u03ad\u03b1\u03c2’ p\u00e5 gr\u00e6sk b\u00e6rer den direkte betydning ‘mandig’, hvilket i datidens sproglige praksis almindeligvis anvendtes som et standardudtryk for ‘modig’ – alts\u00e5 som en \u00e6kvivalering mellem egenskaberne ‘mandighed’ og ‘mod’. <\/p>\n\n\n\n

Med egne ord: Dette er modets og offerviljens kors, hvis heroiske symbolik og historik hviler p\u00e5 slavers p\u00e5stand om, at modig mandighed skulle best\u00e5 i at lade sig f\u00e6stne til en totalforklarende doktrin om altings sammenh\u00e6ng, hvori den enkeltes lyst & vilje udtv\u00e6res i tilflugten til den f\u00e6lles Frelser, og handlekraften rettes mod kollektivets s\u00e5kaldte trivsel, s\u00e5 den ‘selvopofrende’ i bytte for afgivelsen af sin v\u00e6rdighed som egenartet individ nu i stedet ‘bel\u00f8nnes’ med muligheden for at hylde sig selv som de manges k\u00e6rligt renf\u00e6rdige redningsmand – hvorved han, samtidig med at han graver sig dybere og dybere ned i sin egen fornedrelse, naturligvis, blot bidrager til fastholdelsen af disse mange i deres umyndighed. <\/p>\n\n\n\n

. . . Their shape suggests fixation and rigidity<\/em> . . . <\/p>\n\n\n\n

Og videre: <\/p>\n\n\n\n

Their points are sheathed—in a rather large rose of forty-nine petals representing social harmony. Here, too, is compromise.<\/em><\/p>\n\n\n\n

Social harmoni, javist; og netop derfor ogs\u00e5 den menneskelige, alt for menneskelige tilb\u00f8jelighed til at g\u00e5 p\u00e5 kompromis med selve sagen – virkeligg\u00f8relsen af det store V\u00e6rk, som aldrig nogensinde kan v\u00e6re andet end den enkeltes dristigt eventyrlige omgang med sin egen kraft & sk\u00e6bne. <\/p>\n\n\n\n

Hat man mich verstanden; \u2013 Dionysos gegen den Gekreuzigten<\/span><\/em><\/p>\n\n\n\n

\"\"
Charles-Joseph Natoire:  Bacchus and Ariadne 
<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Dermed n\u00e6rmer vi os vores afslutning – og gentager s\u00e5ledes tekstens sidste afsnit:<\/p>\n\n\n\n

Minds too indolent or too cowardly to think out their own problems hail joyfully this policy of appeasement. As always, the Four is the term; as in this case there is no true justification for repose, its disturbance by the Five holds no promise of advance; its static shams go pell-mell into the melting-pot; the issue is mere mess, usually signalized by foetid stench. But it has to be done!<\/em><\/p>\n\n\n\n

\u00c5bningen er utvetydig: Kun tr\u00e6ge og kujonske sind indlader sig p\u00e5 at hylde denne frembringelse af freden gennem fornedrelsen af friheden. <\/p>\n\n\n\n

Policy of appeasement<\/em>, udtrykket er givetvis bevidst valgt; teksten er skrevet, mens bomberne v\u00e6ltede ned over England – fordi man i fredsviljens navn havde ventet for l\u00e6nge med at bryde \u00e5get. <\/p>\n\n\n\n

Samme sag g\u00e6lder i \u00c5ndens i rige: V\u00e6kst foruds\u00e6tter viljen at h\u00e6vde og forsvare sig – i angreb<\/p>\n\n\n\n

Alts\u00e5: I disse 4 Sv\u00e6rd findes der ingen egentlig mulighed for hvile. L\u00f8ftet om f\u00e6lles, fredelig fremgang gennem afst\u00e5elsen af egenart er bl\u00e6ndv\u00e6rk. Sandheden er, at krigen raser: Sindet kan aldrig hvile eller vokse gennem troskabens antagelse af en alment omfattende doktrin. Livet er en fort\u00e6lling. Alting flyder. Du er alene<\/em>.<\/p>\n\n\n\n

Vid dette: Ombrydningen af denne indbildt faste orden vil ikke umiddelbart f\u00f8re til nogen forandring, men i f\u00f8rst omgang blot vise sig i skuffelser <\/em>og nederlag<\/em> – alts\u00e5, som anf\u00f8rt, mere mest, usually signalized by foetid stench. <\/em><\/p>\n\n\n\n

Dette er Verdens vilk\u00e5r: Efter Chesed f\u00f8lger Geburah – efter den str\u00e5leglade Jupiter f\u00f8lger den blodigt r\u00f8de Mars. Forskr\u00e6mte sj\u00e6le gr\u00e6der over denne ombrydning af illusionen om en n\u00e5digt sikret Verden – og forestiller sig at kunne undg\u00e5 tr\u00e6ngslerne, hvis blot de holder st\u00e6digt fast i troen<\/em> p\u00e5 en alment opn\u00e5elig faderligt bef\u00e6stet sammenh\u00e6ng. <\/p>\n\n\n\n

At springe eller at stivne. Stilstandens pris er \u00c5ndens d\u00f8d. Chesed er ikke Chokmah. V\u00e5benhvilen er ingen virkelig fred<\/a>. Javist, faldet fra n\u00e5dens lyse tinde er vitterligt ikke festligt. Omsmeltningen af indbildninger frigiver altid giftigt sorte gasser – derinde og derude. <\/p>\n\n\n\n

But it has to be done ! <\/strong><\/span><\/em><\/p>\n\n\n\n

*<\/p>\n\n\n\n

K\u00e6rlighed er Loven, k\u00e6rlighed under vilje<\/strong><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

*<\/p>\n\n\n\n

N\u00e6ste afsnit handler om 5 B\u00e6gre og kan l\u00e6ses her<\/a><\/strong>. <\/p>\n\n\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Velkommen til afsnit 21 af serien\u00a0\u00c5rsrejse i Tarottens talkort. De foreg\u00e5ende tekster kan findes under hovedsiden\u00a0Tarot.\u00a0 * * * G\u00f8r hvad du vil skal v\u00e6re hele Loven * * * 13. oktober \u2013 22. oktober Dette er V\u00e6gtens udgang – sindets tilstr\u00e6bte bestr\u00e6belse p\u00e5 v\u00e6bnet afvejning. Kortets navn er Truce \/\/ V\u00e5benhvile. Dets formel lyder: … <\/p>\n

L\u00e6s videre “V\u00e5benhvile \/\/ Truce – 4 Sv\u00e6rd”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4,5],"tags":[162,208,207,232,225,82],"class_list":["post-3877","post","type-post","status-publish","format-standard","hentry","category-arkiv","category-tekster","tag-binah","tag-chesed","tag-jupiter","tag-mars","tag-svaerd","tag-tarot"],"yoast_head":"\nV\u00e5benhvile \/\/ Truce - 4 Sv\u00e6rd - Stenblomster - til alle og ingen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/nordaand.dk\/?p=3877\" \/>\n<meta property=\"og:locale\" content=\"da_DK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"V\u00e5benhvile \/\/ Truce - 4 Sv\u00e6rd - Stenblomster - til alle og ingen\" \/>\n<meta property=\"og:description\" content=\"Velkommen til afsnit 21 af serien\u00a0\u00c5rsrejse i Tarottens talkort. 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